Discussing “I’ve quit Big Publishing” to publish myself
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"I Quit!"

"I Quit!"

Below is the start of an article that’s been a long time coming.

After years of publishing my publishing my fiction through big commercial publishers, with thirty-two novels sold to the big New York houses as well as to international publishers around the planet, and more than a million books in print, I have decided to move to self-publishing my fiction.

Why am I going to start publishing myself?

First, because books don’t stay in print anymore with major publishing houses, and my 32-novel backlist has just about vanished.

Second, because I know self-publishing works, and doing this will allow me to write the books I want to write the way I want to write them, and present my stories to my readers without an intermediary.

Read the rest, then follow the link there to come back here…

I imagine it seems a little crazy to walk away from twenty years of publishing with the major New York publishers to go into indie publishing and do all the work myself.

The thing is, as fun as it is to walk into a bookstore and see your novels on the shelf, the rest of the experience gets old fast. Prior to reading Locke’s book on self-publishing, I was going round and round with myself about giving up on fiction altogether.

I was already publishing non-fiction (my writing courses), and the experience was FUN.  And all the frustration, headaches, and fury associated with my fiction career stood in stark contrast to me being able to talk live to my students in a forum, get immediate feedback on work, and, frankly, get paid regularly.

But I LOVE writing fiction.  I didn’t want to quit—I simply didn’t see a way to make it fun again.  To make it as immediate and joyful for me to create as my nonfiction.

When I read Locke’s book, I saw myself.  Someone who does not care about the numbers, who is not interested in constantly pushing for more readers, who wants only to write stories people love and to get them to the people who will love them.

Being a “team player” has never been my strong suit.  Not school, not in nursing, not in writing.  I’m not writing for everybody, and I’m not interested in pretending I am.  I want to write for the folks who already love what I’m doing, not to have someone constantly push me to make my work blander, safer, and more commercial so it will appeal to people who don’t like what I’m doing.

I was BORN to be indie.  And now I can.

I hope you’ll join this adventure with me.

 

Discussing “Fun…With Teeth”
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Fun...With Teeth

Fun...With Teeth

Back when I first got published, I signed a lot of my books with a little extra exuberance—I drew a toothy smiley face and wrote in under it the words “Fun…With Teeth.”

Which was how I saw my fiction—I always wanted my readers to laugh, but I wanted some real edge in there, too.

Because, let’s face it. Sometimes I want to scare your socks of.

As the wear and tear of publishing (and some pretty hard times in my life) began to get to me, I lost some of that exuberance. All of my books have funny places in them, but with some of them, you have to wade through a whole lot of darkness to find it.

But when I decided to walk away from the meat grinder that is professional publishing, to deal directly with my readers, and to publish my own work, something strange happened. It was as if someone switched on a light inside me.

I was digging through my early works, the ones for which rights have reverted to me, and I discovered how funny some of those early books were.

I’d forgotten. From cats with hands who liked to play with matches to winged horses with bad brakes to a Miata-driving, beer-swilling dragon to infesting the entire state of North Carolina with the denizens from Hell (to the serious detriment of Hell), I had a lot more fun back then.

I want to find my way back to that.

I’d like to have you share a part of my return to laughter. In my case, laughter with really big, sharp, pointy teeth.

In the next couple of months, as I start getting my reverted novels converted into digital and print versions and moved onto platforms like Kindle and iBooks and Nook, I’m going to put together a little private membership site especially for the folks who like my fiction. You’ll have a bulletin board there where you can talk to each other, and tell me what characters you’ve missed and who you want to read about next, as well as a place where I’ll post some snippets of work in progress, cover images, and news about each book as I release it.

I don’t know what else I’ll put in there. But it’ll be free, and I’ll make sure to include some nice surprises from time to time.

Here’s the place to ask questions, offer your wish list, comment on my radical career change…

I’m glad you’re here.

Heads Up on the Book That Changes Publishing
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Last week, like a zillion other writers, I received notice of the publication of John Locke’s How I Sold 1 Million eBooks in Five Months.

I bought it.

It fits PERFECTLY with How To Think Sideways and How To Revise Your Novel.

I’ve been focusing heavily on teaching the traditional path to publishing because I’m good at it, I know how to do it, and I know how to show others how to do it. And one look at the Eureka! boards will show you my students are succeeding.

BUT…self-publishing has been as good to me as professional publishing. The only problem is, I can’t teach what I do with self-publishing because my method starts with, “First, sell 32 novels to top New York Publishers…” and ends with writing non-fiction. Not exactly a path most of you have any interest in following.

Certainly not a way to sell your fiction yourself.

EVERYTHING changed when I read John Locke’s book. He made himself into the first self-published million-seller, and then he wrote a book on how he did it. It’s a good book, and the parts he goes into detail on are genius.

But HE DOESN’T COVER EVERYTHING. He has whole vast swatches where he says “You’re going to have to learn how to do this yourself.”

I realized reading through what he’s leaving you to figure out on your own that I ALREADY KNOW this. Every bit of it. The week six lessons are on developing your own personal genre, finding your target market, and writing books to that target. These are steps in Locke’s process.

So the Walkthrough for WEEK 6 of How To Think Sideways—Finding Or Creating Your Market—is going to be be the step-by-step on what John Locke left out and said you were going to have to learn on your own.

His book is available as an e-book via Kindle, Nook, and iBooks, and there are software readers out there you can get for your computer if you don’t have one of these e-readers.

Please understand that I CANNOT and WILL NOT reveal the parts of his system he covers in depth.

He earned his $4.99, and I’m not going to violate his copyright—so to get full benefit from Week 6, you’re going to have to get a copy of John Locke’s How I Sold 1 Million eBooks in Five Months.

This is about building your career yourself—controlling your fiction, making sure that you and your hard-earned career don’t get dumped into professional publishing’s “didn’t do as well as we had hoped” bin after three books. I’ve been there. Remember? It sucks, and here’s the thing.

YOU DON’T EVER have to be there.

This is your path to full-time writing if you want it, and I’m going this route with some of my own work.

This is the book, the system, the process I’ve been waiting for. If it’s what you’ve been waiting for, buy his book and get ready for Thursday, when the Week 6 Walkthrough Talkthrough: What John Locke DIDN’T Cover goes live and I walk you through the rest of how to make his system work for you.

Here are links to buy the book. They are NOT affiliate links. I want the man to keep full price on each sale—this book is that much of a game-changer:

Kindle: http://www.amazon.com/Sold-Million-eBooks-Months-ebook/dp/B0056BMK6K
Nook: http://www.barnesandnoble.com/w/how-i-sold-1-million-ebooks-in-5-months-john-locke/1103948392
iBooks: From your i-device, go to iBooks and search “John Locke 1 million ebooks”

Writing Projects Gone Weird: or, Saturday, I Knit A Cat
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KnitCat Stares at Nothing

KnitCat Stares at Nothing

The migraines and vertigo are back with a vengeance, and I’m stuck in horizontal mode (laptop propped on lap and lying down as I write this, in fact).

KnitCat Naps

KnitCat Naps

So Saturday, I dragged out some cotton string (a very nice German variegated yarn), and needles, and did one of the few things that doesn’t make me feel worse when this gets as bad as it is right now.

I knitted.

I’m doing this odd secret project on my day off—a writing project so weird when I first explained why I was knitting sweaters for balls of yarn, my husband got this look in his eyes that asked “do I commit her, or grab the kid and run for the hills?”

And this project calls for a cat.

KnitCat watches Mad Men

KnitCat watches Mad Men

A tiny, agile, clever cat.

So I got out light-gauge florist wire and narrow green florist tape and built an armature. And then I knit around the armature, ripping back when anything happened that didn’t look like a cat, filling with yarn stuffing as I went.

KnitCat looks Regal

KnitCat looks Regal

No pattern, no picture, no guidelines—I remembered my various cats over the years and worked from that. It took me about ten hours over the course of the day to finish him.

KnitCat hears food hit a bowl

KnitCat hears food hit a bowl

When I was done, I showed him to my husband and son, who had seen me knitting around green armature all day, and who hadn’t seen anything particularly catlike in the blob I was making. Both of them were a little creeped out by how much of a cat he became when I started posing him.

I was a bit, too. I hadn’t expected scrap yarn and wire to turn out quite so well—and now that I see him, I’m getting a feel for his character and the role he’s going to play in my secret project.

KnitCat fights the Mighty Husband

KnitCat fights the Mighty Husband

So what’s this project? Well, it’s fiction, but it’s about writers and writing. And KnitCat is a good representative for what I’m doing. Beyond that, I’m not ready to say anything, except this project will be available for free—it’s my playtime—and should be a nice complement to other things I’ve created to help writers.

KnitCat leaves to search for adventure

KnitCat leaves to search for adventure

As for other things, even though I’m currently bedridden (well, couch-ridden) I did manage to get work done on both TalysMana and the HTTS Walkthrough. I’m doing the plot outline for The Emerald Sun.

And I’m hoping I’ll at least be able to sit up at some point this week, so that I’ll be able to do the Hotseat interview for the Walkthrough.

Anyway… have you ever done anything as weird as knitting a cat to get to the heart of a story?

The Ghost Story, WABWM, and TALYSMANA
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I finished my ghost story. Title?

>>>–4EVR—>

The title means a lot.

I got it to Trisha Telep in time, heard back that I’d made the deadline—and we are NOT going to talk about the morning-to-next-morning hours I worked for several days getting that revision done. What was supposed to have been a 6500-word story that might creep up to 7000 words became a 12,000 word PROJECT.

But I love the story. And when The Mammoth Book of Ghost Romance comes out, it’ll be in there.

Meanwhile, with that done, I’m holding firm to my commitment to the Write A Book With Me project.

To that end…

TALYSMANA is live again. I finished chapter 26, posted chapter 26, and am prepped to do 10 minutes or 300 words a day on this from now until I wrap the first draft of the project.

What this means for Write A Book With Me folks is that we’re jumping BACK to the TalysMana blog, because that’s my WABWM project. You’ll note that Write A Book With Me now has its own tab at the top of the weblog, too.

Post your wordcounts and progress to the most recent post tagged Write A Book With Me. I can’t promise to post every day. I’ll do my best.

Three Weeks Of The Think Sideways Walkthrough
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I forgot. I’ve just been swamped, and I forgot to post here to let folks know that I have three sampler pages from the How To Think Sideways Walkthrough available for everyone to use.

You get the complete content, including audio and downloads, for the first page of each of the following three weeks:

Week One: Break Thinking Barriers

Week Two: Create Your Sweet Spot Map

Week Three: Calling Down Lightning

I think you’ll find these help you work through areas of your writing, from what you can’t get started or keep writing, to how to figure out what to write about, to how to get story ideas when you have NO ideas.

Bracing For The Storm
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I’ve been doing HTTS Walkthrough prep and setup all week.

Site set-up, lesson template setup, student set-up.

Today I did workflow setup. Because I’m doing two projects at once, and because one is nonfiction and one is fiction, and because they are inextricably locked together like Siamese twins—and because both are MASSIVE projects, either of which could sink me if I don’t plan well—I built something different.

I made organizer wallpaper for my desktop. I then set up my desktop with all my templates and files and folders either to the side, or right on the spot where I’ll need to use them. Workflow is top to bottom, and left to right.

And Saturday is my day off, dammit. Except for today.

Organizer Wallpaper for Desktop

A bit of organizational coolness against the coming storm. I’ll let you know how it works.

Courses, classes, and novel for 2011
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So…I’ve been MIA for a bit more than two months.

I’m back now, and ready to get down to the cool stuff, but before I get to that, here’s where I’ve been, and why:

After losing just about six months last year to constant migraines, vertigo, and there for a while the dread that I was going to drop dead any minute, I took time off from all my work except for answering customer service e-mails. I was off from December 17th to January 10th. Which is why there were no writing diary posts, no regular e-mails, and nothing else from me.

During that time, I didn’t have a single migraine, I only had one regular headache, and I had no vertigo. And I thought, cool. Rest fixed it. I’m all better.

Within two days of getting back to work, I was having migraines again. Every day. My second week back to work, the vertigo came back. Granted, I was doing taxes, dealing with a massive software glitch on one of my sites and world’s worst customer service, and updating websites, and it was frustrating, exhausting, and—except for spiffing up the sites, which was fun—it sucked.

But it had to be done, so I gritted my teeth and did it.

It demonstrated something I’d started to suspect when my vacation cured the migraines and vertigo, though. I can’t prove causation, but I have a strong enough correlation to think the migraines and the vertigo are both work-and-stress induced.

But a girl’s gotta eat. And if you wanna eat—at least in the world of the self-employed—you gotta work.

Enough background. Move to what’s cool.

I put together my schedule for the year, and did everything I could to make it sane, livable, cool, and fun for myself, while allowing me to fulfill promises I made last year before my life went south on me. My main objective in this is to create wonderful things while not living in daily pain—but I hope what I have planned will be fun for you, too.

So here’s my 2011.

January.

Educational, but already gone, eaten alive by income tax prep and upgrading websites. Taxes are done, websites not so much. Such is life.

February.

Starting today, actually. I’m doing the new stand-alone course How To Write A Series (which will also be the free graduation bonus for How To Revise Your Novel students who complete the course).

  • Week 1: Fundamentals
    • The 192 different types of series (yes, really—there are 192, and you’ll learn to identify every single one
    • How to make sense of them
    • How to choose the series type that’s right for you
    • Designing your series (It’s going to be a busy week)
    • Lesson will post on Feb. 7th, Live chat will be on Feb. 9th.

  • Week 2: Writing Your First Book
    • Presenting your characters
    • Establishing your world
    • Using your limitations
    • Controlling your story
    • Bringing in your ending

    Lesson will post on Feb. 14th, Live chat will be on Feb. 16th.

  • Week 3: Maintaining Your Series
    • Tracking and connecting your stories
    • Developing and using timelines and other series tools
    • Planning and writing follow-up novels
    • Designing a bullet-proof exit strategy
    • Lesson will post on Feb. 21st, Live chat will be on Feb. 23rd.

  • Live discussion: Q & A
    • If you’ve taken the course as I’m creating it, you can buy one of a limited number of tickets to attend the live session after Lesson 4 with me where I’ll answer questions on your series and brainstorm with you, or…
    • You can send your questions to me beforehand at a special e-mail address, and I’ll answer the best of them during the same live session.
    • Either way, every student will have access to the video and transcript of the Week 4 Q & A, which I’ll post to your student page as quickly as possible after the live session.
    • Lesson will post on Feb. 28th, Q & A will be on March. 2nd.


IMPORTANT: The How To Write A Series course has ONLY one live Q&A at the very end of the course.

The HTTS Walkthough has weekly live chats. I wrote this post sometime after 1 a.m. this morning, I had been working since eight in the morning, and I got the details of the two courses mixed up. I apologize for the error.


The stand-alone price for the four-week course will be $97, and will include mindmap, lessons, videos of techniques I use while prepping to write Book III of the Moon & Sun series (with transcripts), step-by-step instructions, my own proven system for keeping a series tight and not letting quality degrade with subsequent books, series worksheets, the course completion Q & A, and more.

If you receive the course as your graduation gift for completing How To Revise Your Novel, it is, of course, free.

March

Starting March 7th, I’ll begin creating content for the first month of the long-awaited, long-delayed How To Think Sideways Walkthrough. There’s been a lot of speculation about the Walkthrough. So here’s what it it, and how it will work.

I have to get the third book of the Moon & Sun series done this year. The kids who want to read it have waited too long already. So for the walkthrough, I’m going week by week through my own Think Sideways process, building Book III while I document what I’m doing and why. Documentation will take the form of notes, screen shots, new Technique videos (with transcripts), and pdf mini-lessons where I think they’ll add value and give you something new and useful. (I learn something with every book I write. I don’t know what I’ll learn this time, but when I learn it, so will you.)

Each week I’ll also offer a VERY space-limited, first-come, first-serve video session where I’ll take questions from students about problems they’re having with that week’s lesson in relation to their current project, and I’ll use a whiteboard to brainstorm directions they can take with problems that are stalling their stories. There will be an additional charge for the live session. ALL students will receive these videos (plus MP3s and PDF transcripts) as part of their course, as quickly as I can upload each. (TRANSCRIPTS TAKE LONGER. I have to pay someone to do them, and the person I hire has to do each one by hand.)

Either way, you’ll learn how to troubleshoot problems with your story by seeing it done live, and hearing the back-and-forth discussion between the students in the live session and me.

Current students, students who join How To Think Sideways before March 1st, and course grads will all receive the walkthrough at no extra charge. The price of How To Think Sideways will go up on March 11th, when I upload the first new material, to reflect the added content. All students who join the course on March 11th or later will pay the new price.

April – September

The HTTS walkthrough, writing Moon & Sun Book 3, revising Book III, and sending it off to my agent.

October

Start the loooong-delayed Holly Lisle’s Create A World Clinic.

November

Finish Create A World Clinic and make it available through Novel-Writing School, and via Kindle, iBook, and Nook.

December

Off. I’m going to need it.

January 2012

Tax prep. Oh goodie.

…After that…

I’ll surprise you. I have some things already on the calendar. But it’s not full, so I’ll surprise me, too.

But THAT’S NOT ALL…

Because Rebel Tales now has full editors who have their full season guidelines posted, we’re now open for story submissions in a BIG way. Writers, I’ve made resources easier to find, and have made the query desk one clink from any page on the main site.

WE WANT STORIES!

Join us in our quest to create a great new serialzine while bringing back the midlist, and to create writers who are making a living from their writing while writing great stories.

Ask questions here, let me know what you think.

I’m not dead. I’m doing taxes.
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Pretty much the same thing, right?

I have news, I have course announcements, and I have other things—but those all have to wait until the tax stuff is done.

I’ll try to post all the good stuff here on February 1st.

Until then, I’m singing

Eleven months out of the year
It’s fun to be self-employed
And when I am done with my taxes
I’m going to be overjoyed.

Give back,
Give back,
Give back my money to me-e-e,
Give back,
Give back,
Oh, give back my money to me.

Sung to the tune “My Bonnie Lies Over The Ocean…”

Feh. I’ll see you February 1st. Before then, if I (hah!) get done early. But this is like shovelling out the Agean stables, so don’t hold your breath.

Feel free to add extra verses to my song. Misery shared may not be halved, but at least we can get a laugh out of it.