RUBY KEY copyedits arrived
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Will be busy for the next few days getting the Ruby Key copyedit finished. Copyeditor also loved the book—this is an encouraging thing.

Over the last few days (excluding yesterday, which was a family birthday) I’ve been working on the story arc for the rest of the Moon & Sun series. The story, which starts with two kids fighting to save their mother’s life, has by mid-series expanded to include the whole of the world they live in, and a series of other worlds besides. I identified eight massive tasks the kids have to succeed at and complete in order to win back their world, and have been indexing wildly, setting up stories in which they first figure out the problems they face, and then seek solutions. It would be wonderful to get to finish the series as I envision it, and not have it fall prey to the three-book ordering-to-the-net death spiral.

Insanely, I have hope. After being kicked in the head by the dark side of publishing so many times, I might be an idiot, but I do still have hope.

So once again, I’ve deeply invested myself in the story. I’ll probably never get to write Redbird, which was to have been the third Korre novel. But this… maybe this could happen and I’ll be able to get all the way to The Sunrider, the last book in the Moon & Sun series. After the copyedits are done, I want to sit down and make some maps. The weren’t necessary for the first book. But the world starts opening up in the second one, and they could become critical. Mapping the moonroads is going to be a challenge, and not just for Genna.

Anyway. Work, and lots of it, awaits. Will be back as soon as I can.

Friday Snippet: from THE RUBY KEY
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The cat has led our heroes to a cave mouth and instructed them to go inside, telling them they’ll know when they’ve gone far enough. And then, he’s gone off hunting. Genna picks up the story from there.


NOTICE: This material is copyrighted, uncopyedited late draft, probably buggy. Do not quote or repost anywhere or in any format. Thanks.

The look of the cave mouth gave me no comfort. A narrow vertical cleft jagged upward through sandstone to about to the height of a man, with the base wide enough for us, but the top of the opening nothing but a crack that ran upward as far as I could see. Inside was darkness, and nothing but darkness, and it was all I could do to crouch and move inside.

Dan and Yarri squeezed in after me. We could see nothing.

“Do you suppose there are bats in here?” I asked. I’m terrified of bats.

“Bats,” Yarri said, “and lizards, blind snakes, various toads and frogs, worms, all sorts of insects. Maybe rats. Fish, but again, probably blind ones. And cliffs and ledges and dead ends and drop-offs. Probably some larger predator who has found this a convenient den—”

“Yarri,” I said. “Still your tongue, please. And turn on your light.”

Yarri didn’t say or do anything for a moment. Then she said, “Oh! You didn’t want to know what was in the cave, did you?”

“I wanted you to say, ‘No, Genna. I’m sure nothing is in here but us.’”

She tapped the little light she wore as a chain around her neck once we got to the first sharp turn, and we and the inside of the cave were illuminated in cool, blue-white light. We couldn’t see far. The low, narrow passageway turned sharply to the right just ahead of us.

“I don’t see any bat guano,” Yarri said after a moment. “So there probably aren’t any bats.”

I didn’t believe her. In my mind, they were all just waiting around the next corner. And I did see spider-webs, so my skin started crawling anyway. Outside, I don’t mind spiders much. But in low places, where I’m sure they’ll drop into my hair and I won’t know, just the thought of them makes me want to shiver. Or scream.

“Genna, you have to go,” Dan said. “We can’t spend the night here.”

We could. We wouldn’t be comfortable. But we could.

Still, I had to believe the cat had brought us to this place for a reason, and I had to trust that it was a good one. So I started forward. I could hear Dan and Yarri shuffling forward, and I could hear Yarri whispering to Dan.

But worse than that, I could hear whispers from ahead of us. I reached behind me to wave them to silence, and hit my brother in the head.

“OW!” he yelped. Ahead of me, a thousand voices shouted, “OW!”

I tried to turn, and discovered I could not—the passage was too narrow. “If anything in there didn’t know we were coming, it knows now,” I whispered. My angry whisper scuttled forward to add its rustling-paper sounds to the diminishing chorus of shouts. It also skittered back to my brother and Yarri, and they fell silent.

[blenza_autolink 42]

Friday Snippet: from THE RUBY KEY
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This is more of the new material from the revision. Genna, Dan, and Yarri have fled Arrienda in search of help. On the road, they run into trouble.


NOTICE: This material is copyrighted, uncopyedited late draft, probably buggy. Do not quote or repost anywhere or in any format. Thanks.

Suddenly Yarri stopped, her hand raised, her body tensed. “Listen.”

Dan and I stopped as well. I heard the wind in the trees brushing bare branches and whispering through new leaves. And then something else.

Faint, distant, but coming closer. A howling, almost as if from a pack of wolves. But … not. I heard something wrong in those long, quavering wails, something exaggerated, mystical, unearthly. Something that did not belong in forests or on roads where people walked.

Yarri grabbed both our arms. “We have to get off the road, but unless you do exactly as I say, even that won’t help.”

“What is it?” I asked.

“Death,” Yarri muttered. “If it’s what I think it is, fast, ugly death. Come on.”

She bolted off the dirt road and beneath the trees, and Dan and I raced after her. She didn’t go far into the woods, though—just deep enough in that I lost sight of the road. “That gets us away from her view,” Yarri said, opening her pouch and pawing through it. “Now to get us away from their noses.”

The howling got a little louder, and a lot more eerie.

She found what she was looking for, and with a soft cry of, “Ha!” pulled it out. She said, “Stand downwind of me. Quickly.”

I tested the breeze and did as she said, as did Dan. She had a bottle in her hands, and when she squeezed the little bulb attached to it, it misted us lightly. I smelled nothing. She sprayed each of us all over, quickly, and herself last, getting even the soles of our feet, then sprayed back just a ways along the track by which we’d entered the forest. Then she pulled a small knife from her kit and sliced two long strips from the bottom of her tunic. She tied one strip around my wrist and one around Dan’s, and then had each of us tie the other ends around each of her wrists. “Crouch, keep close to the trunk of this tree, and don’t move at all,” she said. They’re blind, but they can find your by the faintest scent or sound.”

“What are blind?” I whispered.

But she put a finger to her lips and crouched down; she closed her eyes tightly and pressed her forehead against the rough bark of the tree trunk. Dan took a place at her left, I at her right, and we did as she did.

For a moment or two, nothing changed but that the howling grew louder.

Then, though, a hard wind rattled the branches over our heads and tossed damp leaves up from the forest floor into the air, and slapped them against us. A cold fog rolled over us, wet as the fogs that plague the highland, but thicker, and laden with the sweet-rotten stench of spoiled meat.

The reek of death.

Such a smell terrifies. It knots the belly; it tenses the muscles; it sends a shudder through the brain. It screams, “Run! Or die!” I felt that urge. Everything in the forest felt it. The beasts that inhabited the ancient forest fled as if before a fire, and every bone and muscle in my body fought to bolt, to run, to flee mindlessly, to mark myself as prey. But to get away, away, away.

I took Yarri’s, thin, fine-boned hand and held onto it for life and sanity. I prayed she was holding on to Dan on the other side.

Then the howling was right on top of us, and I wondered how I had ever mistaken the noise for wolves. Surely only from demons could such hideous sounds erupt.

The fog, lit by the moon, buried everything. I could not see the bark of the tree upon which my forehead rested.

The howling stopped, replaced by wet snuffling, and what sounded like hundreds of shuffling feet pushed past us on all sides—close enough that if any of us had reached out, I was sure we could have touched them. Or perhaps it was the fog that made them sound so close. I hoped it was that, and not the first thing, but I feared at any instant sharp teeth would sink into my neck and shake me the way a dog shakes a rabbit.

[blenza_autolink 42]

Friday comes early: Friday Snippet from THE RUBY KEY
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I still feel like absolute death on moldy toast. This is more flu than cold, I think, and it’s clobbering me hard.

But I’m up for the moment, and decided to go ahead and do the Friday Snippet early, then take the rest of the week off (or until such time as I actually feel like sitting up again).

So. This is from the revised version of THE RUBY KEY that went out to Lisa on Tuesday. A newly added bit, and something I really had fun with. It’s not any sort of action scene—it’s just a bit of description, but it’s where Genna sees the nightling “barrow” for the first time.


NOTICE: This material is copyrighted, uncopyedited late draft, probably buggy. Do not quote or repost anywhere or in any format. Thanks.

We reached a grand cavern after long walking; in our progress downward, we had passed dozens of passageways that led off from the spiral we traversed. I thought many nightlings might live in this one barrow—and then I got a good look at the cavern, and realized our little village had to sit within reach of one of the greatest and most powerful cities in all the world. And it was with the master of this city that vile Banris had made his bargain. I could only wonder where he had found the courage to bargain with such a creature. Or the courage to cheat him.

We continued to follow the nightling who had led us into this place, but we followed wordlessly. Creatures winged and taloned that had never flown in daylight flitted and soared through the tall arched corridors, chasing fishes of the air and other creatures that I could have only thought at home in water. Squat, wide-mouthed monsters in every imaginable color—and dressed in velvets and brocades of the most beautiful workmanship—spoke in bell voices to men and women tall as willows and twice as graceful who furled and unfurled huge, delicate butterfly wings behind them. Nightlings with skin green or gold, pale lilac, vivid orange, snow white, ebony black, yellow or pink or richest royal blue moved through those same corridors, talking and laughing, followed always, always by black-cloaked, black-hooded silent attendants.

Nor were the exotic creatures and the even more fantastic nightlings the only wonders. Gardens grew along the way, trees curving and swaying, their leaves of gold and copper and ruby red; sweet-scented bushes brushed us as we passed; and flowers in every imaginable color glowed from beds planted by a master gardener with a genius for beauty.

Some faint music called us forward, almost impossible to hear, yet enchanting nonetheless.

I know the quiet beauty of apple blossoms in spring. I love the sweet awkwardness of newborn kids and lambs, the comfort of a cushioned rocking chair, the serenity of a shake roof on a rainy night, and of sturdy stone walls and a fire on the hearth come winter. These are good things, but simple.

The beauty and magic of Arrienda were extravagant, shocking, breathtaking … exhausting. My mind could not take everything in, and I wished I could sneak away for a short while and hide my eyes.

I wondered if humans had ever even imagined the possibilities I saw as finished works. I thought that if I stayed in this place for one lifetime—or a dozen—I would never cease to wonder at the miracles that spread out before me.

But I could not let myself be seduced by beauty.

[blenza_autolink 42]

Never give a sick kid red Gatorade
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‘Nuff said.

I’m not the only one sick. But I keep reminding myself that tomorrow, I get to sleep in.

I have more heavy-duty typing today than yesterday. The second half of Ruby Key is the section that has most of the new material, though I typed in about 11,000 new words yesterday. You won’t notice the extra until the WIP meter starts overflowing on the top bar. Since I’m typing in new material right now, that may take a while.

Cannot believe how tired I am. But, as Robin reminded me, yes, I have to kill myself on this, (Her exact words—Go kill yourself on this.) but it’s for a good cause.

Interesting woman, is Robin.

Here we go
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I’ve finished the write-in for The Ruby Key. I have no idea how many words I added. They’re all handwritten on ratty-edged notebook paper, with page numbering that goes 16-A, 16-B, 16-C, etc. I know I added a lot of scenes. More than a dozen. I know I added a lot of words. But how many? No clue.

So now it’s time for the type-in, and I have two days, as much of forty-eight hours as I can drag out of my body, in which to finish this thing. I’m sick–got sick yesterday. Sore throat, body and head aches, bit of a fever, congestion, general overall crud. You know the gig. Everyone gets it, and especially, everyone gets it right at the finale of the biggest deadline of their career. You shut up, you work through. (Well, if you have a weblog, you make sure to mention how crappy you feel so that everyone can duly comment on how brave and tenacious you are for soldiering on, but we’re going to pretend we don’t know about that whole blog-pity-party thing.)

Type-in is not simply correcting errors and typing in the new words as written. Not for novelists, who know this is the last true shot we’re ever going to have to get this puppy right, to make it sing, to rip your hearts out when you read it. The copyedit remains, but there you have damned little time, and not much elbow room. The copyedit is the place to be precise, not to get all happy and add tons of new material, introducing errors left and right. Little changes can go there. Anything big, well… this is it.

So. I have the WIP meter open, and I’ll type in my wordcounts as I go, and edit and add as necessary while I type, and we can all be surprised together by whatever the final number is. Whatever it is, it’ll be longer. Significantly longer. In the entire book, I deleted about three pages (600 words or so) of existing material. The meter starts at 0 (amount of type-in completed) over 60,000 (the length of the manuscript pre-edit).

Thank you for your encouragement, your enthusiasm, and for checking in to tell me you’re waiting to read this one.

Here we go.

Writing final new scene
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If I can nail this scene without bleeding out the eyeballs, I should be able to start type-in in an hour or two. Then I’ll start seeing how much I’ve actually added.

I have today and tomorrow to do type-in, and Tuesday the thing goes to Lisa and Robin. I’m pretty sure I’ve added a lot of words. I know I’ve added a lot of scenes.

“It’s gonna be a long day.” from Twister

Yesterday Genna got mad
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Today, she gets even.

In my quest to make my heroine the kick-butt hero of her own story, yesterday she took a really nasty situation in hand (with a cast-iron skillet, no less) and went one on one with a monster. Then, with the trophies of her monster-bashing stowed neatly away—but her prize ripped from her just as she was about to win the day—she went all McGyver and rigged up some pretty snazzy gimcracks to save herself from certain death.

Today, she’s going to go after the folks who stole her prize—and her chance of saving her village, her family, and her friends—away from her. She’s angry, she’s focused, and she’s more ready than she knows.

And I’m having a wonderful time. I got a bit ahead on the page count, I wrote a handful of new scenes that have really opened up the story and Genna’s character, and, in spite of the fact that I didn’t finish last night’s writing until 4 AM, and I’m unbelievably tired, I’m ready to go again.

Onward, following the lead of my ferocious young heroine-in-the-making.

Caught up late yesterday
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I did not pull ahead, though. “Late” in this case was really, really late. But I’m close to finishing the day’s work, and am going to push ahead and see if I can, in fact, gain a bit of ground on the deadline. Any extra time I can win for the type-in, which is going to be rough, I want.

Still excited about the new scenes I’m getting. Starting on the third one of the day, and the first of the day’s major ones. This one will change the final conflict scene, but for the better.

Thank you so much for the encouragement. It helps tremendously.