Finally rolled over 50,000 words
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I wrapped up with 50,176 total words in the story tonight—a nice milestone after the delay that had kept me at 49,590 for what… about two weeks?

My revised plot cards are all in place, my arterial bypass grafted around the nasty clot of wrong turn is working beautifully, and the 586 words I got tonight felt good.

Aleksa is in an interrogation room at the police station, after defending herself against an abduction attempt staged right outside the station.

It was an interesting scene to write.

And after the luxury of a week-long birthday (complicated somewhat by the fact that I ended up working my ass off getting folks into the last Think Sideways class of the year), it felt magnificent to be sitting up here in the bed, laptop fired up, spinning fiction again.

So.

How about you and your words?

Mostly ‘Cause Tomorrow’s My Birthday
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I could have worked tonight. But I decided since tomorrow is my birthday to stay up late with my guys, watch the conclusion of “Life on Mars,” play Fable II, knit a pair of socks, and just have a good time.

No words. No words tomorrow, though I’ll put up a post. No words Friday. And no words Saturday.

I have birthday stuff planned with my family, and since I’m going to be 49 (and the next one is {shudder} 50) I decided today that I deserved to have fun and celebrate, not work.

I hope you get wonderful words. I’ll have a post up for you every day.

Think of me. Have fun. I’ll see you again Sunday night.

(Will still be doing customer service for Think Sideways students all week. I’m not taking time off from that.)

Worrrds? We don’t need no steenking words!
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Yeah. Well.

I got my big birthday present a couple of days early.

A Sony Reader. Red. Spiffy. WAAAAY spiffy.

And instead of being a good and faithful writer and getting my words, I’ve been sitting here working my way through the user’s manual and discovering that, yes, I CAN put the entire Think Sideways course on my e-reader, and yes, it is readable if I bump the text up one size.

And looking through the Sony bookstore, and though the Gutenberg Project e-book library and squinking along trying to find other sources of good e-books…

It’s an awesome present.

No words, though.

How about you?

Better than yesterday
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No words on the page, but six new scenes figured out. Which means I’ve about finished my coronary bypass around the the clogged artery of those bad center scenes where I took the story over the top.

Process is simple. Write one notecard for each scene that will replace a broken scene.

DO NOT REVISE THE BROKEN SCENE. Simply apply the patch of a one-sentence index card saying “This is what SHOULD be here,” in its place.

When all scenes have a bright pink SEP field* around them, you simply move on to write the next unwritten scene, as if all the preceding wrecked scenes had been written the way they needed to be, and were currently perfect.

Someone is thinking, “Why? Why? Why would you do this instead of fixing the scene and then moving on? Why?”

Simple reason. I only revise once, but I do one ferocious job of it when I do it. I think I know how my story will end now. But I might not. Things change. And I refuse to rework scenes that are going to have to be changed again when I discover than my ending has changed drastically. Creating index cards allows me to know I know what to do with those scenes when I get back to them. And if the ending changes, it allows me to rethink a thirty-word card, and not a 3000 word scene. Times ten.

That’s why.

Have about three scenes to go. Will get those tomorrow.

How did your writing go?

* Douglas Adams reference: “Somebody Else’s Problem”

Last Thorsday Night: Cover Art and story update.
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The Mammoth Book of Time Travel Romance

The Mammoth Book of Time Travel Romance

I forgot to mention that my short story, titled “Last Thorday Night” in its final draft, sold to Trisha Telep, editor of The Mammonth Book of Time Travel Romance.

Last Thorsday Night is the only story I’ve ever written about a writer.

I also forgot to mention that I got the cover art, which is pretty cool.

I got the invite to write this story after doing a story for Trisha’s The Mammoth Book of Paranormal Romance. I accepted that invite because I was writing How To Think Sideways at the time, and I needed to have a real project to work on that A) demonstrated the techniques I was teaching, and B) could really be rejected if I screwed up. The story sold. And I found these two mini-reviews on Amazon.com tonight.

***Light Through Fog – Holly Lisle – Tragedy separates soul mates, but love transcends boundaries in a magical place – (5+ stars – Wonderful and poignant, a complete and moving story, I am amazed how much Lisle fit into her contribution.)

And…

[LIGHT THROUGH FOG] by Holly Lisle, When Sarah’s husband Sam died all that was left to connect them was their tree and a mysterious magic in the fog. — By far the stand-out story of the bunch, vividly imagined, extremely romantic and touching, doesn’t quite make up for the less-than-stellar rest of the collection but a must-read! 5/5 stars

The Howling Redo of Despair and Agony
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It was an interesting night.

First off and totally unexpectedly, I got 287 words of actual draft. So HAH! Happy about that.

Second, I got out one of these neato little pre-ring-bound index card thingees I’ve had sitting in my office for the last few months after I found it at Office Depot—because I am a total office supplies ho, so I bought it even though I didn’t have a use for it at the time.

The thingee has about a hundred index cards in it, spiffy little plastic covers front and back, and dividers to separate it into three sections.

Dug out a Uni-Ball Vision Needle pen. (Look. This shit matters. When all that stands between your sanity and the Infinite Abyss of Screwed-Up Noveldom are office supplies, you want to have some nifty ones on hand. These are +7 Nifty, with a serious Anti-Abyss buff.)

Wrote my title on the front page: The Howling Redo of Despair and Agony: A.K.A. DTD, Section 2 — Fall.

Seriously. Those are the exact words on the cover card. Never let the Infinite Abyss think you take it seriously.

Drew my pen, aimed it at the notebook, and as quickly as I could keep the pen moving, ten very good scene sentences poured themselves onto the paper. Cardstock. Whatever.

So it was, in fact, a damn fine writing night. I’ll shoot for another ten scene sentences tomorrow night, and that will cover (PLUS three) my existing problem scenes. And, with my fingers in contact with the real—pen and paper, NOT pixels—my mind offered up a solution that will allow me to use a whole lot more of the words I’ve already written than I thought possible last night.

Sometimes, tapping the damn keys is no substitute for the physical act of writing. If this computer had a return bar I could slam from here to Newark every time I needed a carriage return, it might be different. That’s physical writing, too.

But anyway…

How are YOUR words coming along?

Nailing my thumb to the wall
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So here’s the process I’m going through in order to skip revising the second section of the novel before I’ve finished the rest of first draft.

  • Write a single sentence encompassing what I want each existing scene to become.
     
  • Try to match that sentence to the characters and action already existing in the story.
     
  • When I can’t, then come up with a new sentence that fits the spiffy new first part of the book without breaking more of the existing writing than is ABSOLUTELY necessary.
     
  • Avoid touching a single word in the existing draft, no matter how tempting, even as I hear the tinkling of broken scenes shattering to the floor with every spiffy new scene I devise.
     
  • Maintain my equanimity while seeing whole buckety craploads of words headed for their doom.
     
  • Mutter imprecations and profanities at the idiot who wrote some of the stuff I’m dealing with.
     
  • Realize that repeatedly nailing my thumb to the wall is not the wacky good time it’s reputed to be, and determine that I’m going to have to get out a notebook and PHYSICAL index cards, and work this out in realspace before I’m actually ready to face the new scenes I need to write.

Hope your writing went better.

The Whisper of a Devil
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My red head dropped her bomb tonight, allowing me to sliver a bit of backstory and foreshadowing into a nice dialogue scene.

And exactly 600 words later, she was out the door and on her way out of the country.

I’ve run out of new scenes. I’m back now to the original beginning, and I’m going to end up spending the next couple of days doing a quickie index card replot of each of the scenes I’ve written. I don’t want to mess with the words or any editing yet—that’s a sure way to get bogged down and screw up my progress.

So my wordcount for tomorrow and Tuesday is likely to be zero in the ‘real words’ department. If I can rethink what comes so that I don’t end up tossing 25,000 words into the can, though, it’ll be worth it.

Word count tonight: 600

Plus three words that I love enough to claim as the book’s real title. Not going to post it, though. I need to see if the story keeps growing into it.

How’s your story coming along?

Red-heads are ALWAYS trouble
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My spontaneously-generating red-head from a few chapters back walked into my scene tonight, suddenly making perfect sense in the story, and dropped a bombshell.

Actually, she took a deep breath, I glance over at my word counter, and discovered that I’d hit 499 words.

So she’ll drop her bombshell tomorrow night. But in spite of being dog-tired and not EVEN in the mood to write tonight, I got the words, and once I got rolling, they were a hell of a lot of fun.

How ’bout you?