Sympathy for the Devil Cover Art
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Be careful what you pray for...

Be careful what you pray for...


It took a bunch of tries to get this right. But I like the results. I think it captures the spirit of the book.

This one is almost ready to go. Hoping to have it live in a week or so.

ADDENDUM: Just finished uploading the print version to CreateSpace. Here’s the wrap-around cover for that, as well as the cover copy:

Turns out God has a wicked sense of humor…

Nurse Dayne Kuttner puts her soul on the line to bargain with God for amnesty for Hell’s damned. But when God not only listens, but takes the deal she offers literally, her world turns upside-down.

Plagued by pushy reporters, devilish doctors, desperate colleagues, bewildered friends, an imp named Earwax, and pursued by the Netherworld’s hottest guy, Dayne stands her ground…and pushes Heaven itself for an accounting of how love and Hell can coexist.

Turns out God has a wicked sense of humor...

Turns out God has a wicked sense of humor...

The special SELF-PUB modules for How To Think Sideways Self-Pub
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How not to be THIS self-publisher.

How not to be THIS self-publisher.

I took a break from putting together a cool HTTS Hotseat today with a writer who needed to know how to create a villain for her story.

Got out a notebook, wrote out the existing modules in How To Think Sideways, and figured out how to streamline the HTTS Self-Pub course.

URGENT!

All current Think Sideways Classic students, as well as all Think Sideways grads,
will get ALL the new modules, and will keep all of the old ones.

If you are in Think Sideways Classic
or have graduated from the class,
DON’T BUY HTTS Self-Pub!

HTTS Classic students and grads
get ALL the old modules
and ALL the new ones.

The modules I’m removing from of HTTS Self-Pub are:

  • How To Discover (Or Create) Your Project’s Market
  • How To Design Compelling Queries, Proposals, And Sample Chapters
  • How To Work With Editors, Agents, Marketing Departments, And Artists, And NOT Wreck Your Project
  • How To Deliver What You Promised And What They Want On Deadline

I’ll be replacing them with:

  • The Special Skills of Self-Pub Market Creation
  • Identify and Connect With Your Target Reader
  • What To Do When You’re Writer, Publisher, Art Department, and Marketing And How To Schedule Your Time
  • How to Deliver What Your Readers Want

 

A low-priced Self-Pub version of How To Think Sideways?
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Discount HTTS for the Self-Publishing Writer?

Discount HTTS for the Self-Publishing Writer?

Self-pub has become the way to go if you want to write and make a living at it. The last few years, my self-pub has paid the bills, and my commercial pub hasn’t. Among commercially published writers, I’m not alone. The majority of commercially published novelists are working a “real” job just to survive.

Successful self-pubbed writers are doing better. You can read sites like http://jakonrath.com/ and http://lethalbooks.com/ and those of other self-pubbed writers who are making a full-time living publishing themselves.

If you aren’t a big name, online self-publishing is the new midlist.

This is the thing I wanted to do with Rebel Tales

…but what grew naturally out of improving tech and online markets is a million times better than what I’d planned. Why? Because YOU control your career, and you get to keep all the money. You’re not splitting it with a publisher who takes almost everything, and an agent who takes 15% of what’s left.

Sales of Kindles and Nooks and iPads (and iPhones) are all up, and these are all instant-gratification bookstores you carry around in your pocket. Or purse. Meanwhile, print book sales are falling, and brick-and-mortar bookstores going out of business.

What You Need To Know To Self-Publish

There are two types of knowledge you need in order to self-publish successfully.

The first is the technical stuff—how to get ISBNs, how to format your own book or hire someone to format it for you, how to price it, etc.

You can learn that ANYWHERE.

The second knowledge you need is a thousand times more important. You need to know how to write books worth reading.

I can teach you that.

So I’m putting together a stripped-down, just-for-self-publishers version of HOW TO THINK SIDEWAYS: Career Survival School for Writers.

How To Think Sideways for the Self-Publisher

The objective of this course is to be about half the price and about 60% the size of HTTS, and to give writers who KNOW you want to self-publish:

  • the writing skills you need to succeed at it, without all the Japanese Bowing Etiquette involved in commercial publishing,
  • to give you the contacts you need to publish your own work professionally,
  • and to get you out there doing it.

Lean, mean, focused.

HTTS Self-Pub will contain none of the stuff on query letters or dealing with editors. NOTHING on manuscript formatting for submission. Nothing on how to write a synopsis or an extended editor outline. None of the walkthrough. None of the frills I threw in like first drafts of my novels. Well, maybe ONE first draft.

It also won’t include on-site workgroups.  To keep the price low, I have to cut somewhere, and setting up and maintaining private workgroups is a major pain in the kiester.  You’ll meet lots of folks in the community.  If you want to create a private workgroup via e-mail on on a password section of your blog, you can certainly do that.

HTTS Self-Pub will include:

All the writing lessons, writing techniques, writing checklists, and writing course videos.

You’ll also get full member access to the following Writers’ Boot Camp boards:

  • Eureka HTTS (you can read this board now to discover what students learn from this course)
  • Renegade Marketing
  • Help!
  • Questions About Your Lessons HTTS
  • Writing Discussion HTTS
  • Idle Chatter HTTS
  • The new Resources for Self-Publishers board, which will hook you up with the folks who do professional e-book formatting, packaging, cover art, editing, and copyediting, writing blurbs, any anything else you need to help you succeed.  (If you OFFER these services, contact me now about getting your place on this board.  Currently I have about 2000 active writers in the private community.)

My objective with this course is to create successful professional career writers in the new Yes-You-Can-Live-On-Your-Writing online midlist.

The full course, with the walkthrough and future upgrades and a multitude of other cool things, comes in two speeds (6 month and 12 month)  and three flavors: Single Payment $399, 6 month subscription 69.95/month, and 12 month subscription $37.95/month.  If your dream is to publish commercially, (or if you want the BIG boost in help you’ll get from the Walkthrough upgrade) this is the course you need. 

The stripped-down HTTS Self-Pub will have one speed and one flavor.  6 months, $37.95/month.

If you’re not, no reply is necessary.

If you are, please post a YES. What I’m trying to do here is get a rough level of interest to decide whether setting up the extra site and revamping the course materials is worth my time.

So all I need to know from you now is, are you interested?

IMPORTANT!

If you’re already an HTTS student or HTTS Grad, you’re getting EVERYTHING in the Self-Pub course, PLUS the walkthrough, the private workgroups, and the Walkthrough boards, blogs, etc. Just log in to get the stuff as it goes live.

The Arhel Trilogy Covers
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Today, I did the covers for the Arhel Trilogy.

Fire in the Mist

BOOK I: Fire in the Mist: Compton Crook Award Winner "Best First Novel"

BOOK I: Fire in the Mist: Compton Crook Award Winner "Best First Novel"

Bones of the Past

BOOK II: Bones of the Past

BOOK II: Bones of the Past

Mind of the Magic

BOOK III: Mind of the Magic

BOOK III: Mind of the Magic

I wanted something striking but simple for these books—and I wanted the central images to be meaningful. So I went with Ariss, the keyu, and a dragon. The toughest part of these was coming up with an appropriate title design and name layout without getting too friggin’ frou-frou with the font. And I still wanted that touch of gold to tie these together subliminally with the suspense stuff.

I’ll probably have something in that gold on every cover…though it might be very slight.

The New Paranormal Suspense Covers
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I finished the following covers for my upcoming novels today:

Midnight Rain

Midnight Rain: "He'll NEVER forget you..."

Midnight Rain: "He'll NEVER forget you..."

I See You

I See You: "Someone's watching..."

I See You: "Someone's watching..."

Last Girl Dancing

Last Girl Dancing: "Don't talk to strangers..."

Last Girl Dancing: "Don't talk to strangers..."

Night Echoes

Night Echoes: "Your past is waiting..."

Night Echoes: "Your past is waiting..."

Because of a bit of a financial bump, I’m pushing hard to get all the backlist up in the next couple of months. To my amazement (because I thought exactly the opposite), I think the suspense novels are going to take the longest. I’m having to go through them and edit to bring the late-draft manuscript versions I have up to the published versions.

The scans don’t have to be rewritten. They just have to be edited, and my guys (and in two cases, my co-authors) are working on that.

So my release schedule is going to change completely, and will probably start with either the Arhel trilogy or the Devil’s Point trilogy.

But there will be books soon. :D

2275 words of new Cadence Drake
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I got up this morning and for the first time in a long time started writing a new novel that dragged me out of bed.

Chapter one of that novel, “Can’t Kill A Dead Guy,” is now finished in first draft.

It was like coming home. Cady’s voice was there. Not the bitter, dark voice at the end of book one, but the voice I hear when I write her—the voice I heard when I wrote her the first time, right up to the moment everything went bad for her.

She has her feet under her, she’s alone but dealing with everything much better than I thought she would be when I outlined the story, and the biggest fear I had reopening her world—that all I’d get writing Cady was Cady-in-hell—is gone.

It was like sitting down and talking to the best friend I lost fifteen years ago, that I just got back, and finding out she’s still a person I want to spend time with.

Nine books is a lot of time. Today told me it’s going to be time well-spent.

I have to do the other stuff I have to do now—student support and starting on the HTTS walkthrough and everything else.

But today I came home.

Ready to start writing Cady 2
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Cady 2 is ready to write

Cady 2 is ready to write

I outline my novels on index cards. I go over the process a little in one of my site workshops, and a LOT in How to Think Sideways, but my process is about as seat-of-the-pants as it’s possible to get while still having an idea where you want to end up.

And as of this morning, I have the working outline for Cady 2: The Book In Need Of A Title, ready to go.

I’m releasing Hunting the Corrigan’s Blood as Cadence Drake 1: Hunting the Corrigan’s Blood, and book two was going to be Cadence Drake 2: Invisible Warrior, but as I outlined the book, that title died the ugly death of irrelevance.

The title at the top of the index card in the picture, by the way, is the card title.  I let my muse scribble on the cards first, writing out titles for scenes I have not yet imagined.  Then I write a scene Sentence.  And that’s it.  Once I have all my scene titles and most of my scene Sentences, I’m ready to write.

Now I’m there.  So next week, I start writing CD2.

 

 

What I’d really love to see from you…
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What I'd REALLY love to read from you...

What I'd REALLY love to read from you...

This is the companion weblog post to the Reader Survey question “Which of my worlds would you like to see me reopen and start writing in next?”

If you want to put in a more in-depth plug than just a survey vote for one of my existing universes, or if you want to ask for something different, post a comment below.

 

Discussing “I’ve quit Big Publishing” to publish myself
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"I Quit!"

"I Quit!"

Below is the start of an article that’s been a long time coming.

After years of publishing my publishing my fiction through big commercial publishers, with thirty-two novels sold to the big New York houses as well as to international publishers around the planet, and more than a million books in print, I have decided to move to self-publishing my fiction.

Why am I going to start publishing myself?

First, because books don’t stay in print anymore with major publishing houses, and my 32-novel backlist has just about vanished.

Second, because I know self-publishing works, and doing this will allow me to write the books I want to write the way I want to write them, and present my stories to my readers without an intermediary.

Read the rest, then follow the link there to come back here…

I imagine it seems a little crazy to walk away from twenty years of publishing with the major New York publishers to go into indie publishing and do all the work myself.

The thing is, as fun as it is to walk into a bookstore and see your novels on the shelf, the rest of the experience gets old fast. Prior to reading Locke’s book on self-publishing, I was going round and round with myself about giving up on fiction altogether.

I was already publishing non-fiction (my writing courses), and the experience was FUN.  And all the frustration, headaches, and fury associated with my fiction career stood in stark contrast to me being able to talk live to my students in a forum, get immediate feedback on work, and, frankly, get paid regularly.

But I LOVE writing fiction.  I didn’t want to quit—I simply didn’t see a way to make it fun again.  To make it as immediate and joyful for me to create as my nonfiction.

When I read Locke’s book, I saw myself.  Someone who does not care about the numbers, who is not interested in constantly pushing for more readers, who wants only to write stories people love and to get them to the people who will love them.

Being a “team player” has never been my strong suit.  Not school, not in nursing, not in writing.  I’m not writing for everybody, and I’m not interested in pretending I am.  I want to write for the folks who already love what I’m doing, not to have someone constantly push me to make my work blander, safer, and more commercial so it will appeal to people who don’t like what I’m doing.

I was BORN to be indie.  And now I can.

I hope you’ll join this adventure with me.

 

Discussing “Fun…With Teeth”
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Fun...With Teeth

Fun...With Teeth

Back when I first got published, I signed a lot of my books with a little extra exuberance—I drew a toothy smiley face and wrote in under it the words “Fun…With Teeth.”

Which was how I saw my fiction—I always wanted my readers to laugh, but I wanted some real edge in there, too.

Because, let’s face it. Sometimes I want to scare your socks of.

As the wear and tear of publishing (and some pretty hard times in my life) began to get to me, I lost some of that exuberance. All of my books have funny places in them, but with some of them, you have to wade through a whole lot of darkness to find it.

But when I decided to walk away from the meat grinder that is professional publishing, to deal directly with my readers, and to publish my own work, something strange happened. It was as if someone switched on a light inside me.

I was digging through my early works, the ones for which rights have reverted to me, and I discovered how funny some of those early books were.

I’d forgotten. From cats with hands who liked to play with matches to winged horses with bad brakes to a Miata-driving, beer-swilling dragon to infesting the entire state of North Carolina with the denizens from Hell (to the serious detriment of Hell), I had a lot more fun back then.

I want to find my way back to that.

I’d like to have you share a part of my return to laughter. In my case, laughter with really big, sharp, pointy teeth.

In the next couple of months, as I start getting my reverted novels converted into digital and print versions and moved onto platforms like Kindle and iBooks and Nook, I’m going to put together a little private membership site especially for the folks who like my fiction. You’ll have a bulletin board there where you can talk to each other, and tell me what characters you’ve missed and who you want to read about next, as well as a place where I’ll post some snippets of work in progress, cover images, and news about each book as I release it.

I don’t know what else I’ll put in there. But it’ll be free, and I’ll make sure to include some nice surprises from time to time.

Here’s the place to ask questions, offer your wish list, comment on my radical career change…

I’m glad you’re here.