On Friday, they turned into migraines and icepick migraines.

On Saturday, the vertigo returned, and the headaches stayed.

I got a few hundred words written on Saturday and again on Sunday on WARPAINT, but did not do anything online.

I’m working on LESSON 23 of the Self-Pub Expansion of HTTS today, and again, am working through migraines and vertigo.

I’ll answer the additional story and writing questions from the party as quickly as I’m able, but it won’t be today.

I apologize for the delay. I had a wonderful time at the party. Thank you again for coming.

Cady and Warpaint

I’d originally set Cadence Drake: Warpaint (my current work in progress) three years after the events in Hunting the Corrigan’s Blood. I did this because I wanted to get back to Cady’s story after she’d beaten the darkness from the first book, after she had found her way back to being a whole human being again.

But over the weekend, I realized that in doing this, I was missing the big picture and a huge, powerful story—the story of how Cady reclaimed her soul.

So on Saturday and Sunday, I put aside everything I’d already done with the draft I’d been working on. I’ll save that draft as a possible later book in the series.

And I redrafted a new, forty-scene outline for Warpaint the way it needs to be told: Cady the Weapon of Vengeance goes to war against hell and wins her way back to being Cady the Human.

I know I’m on the right track this time. How do I know?

Because this is the Cadence Drake book I’m terrified to write.

People who don’t write novels generally can’t imagine why writing one might be terrifying. I’ll explain.  My process includes living inside my character’s head while I’m writing. Cadence Drake is the person I would be if I were her—to borrow a description from Lawrence Block—and to write her honestly, I have to slip inside her skin and live through everything she goes through. And I have not given Cady an easy life.

But there’s more to this, because Cady is also the character I created who ended up fighting through an alternative version of personal darkness I was facing when I wrote her. I didn’t want to go back to the place where I left her, and I didn’t want to look too closely at why I didn’t.

It turns out I hadn’t fully answered for myself the questions I’d left her with—questions about how and why you choose to live; about how you pick your fights; about how you decide in a world in which darkness is falling and where no good answer is easy, what is right and what is wrong.  It would have been much simpler and less painful to have just blown by those questions with a quick “Three years later…”

Only I hit a point in the draft I was writing where I had to look at Cady’s questions anyway, and ask myself how she’d come through that hell, and what price she’d paid to win back her soul, and how she’d stepped out of the darkness.

And…no good answer is easy. The good answer doesn’t scream “Here I am!” at you.  The good answer whispers, “You’re going to have to fight to find me and earn me.”

This weekend, in brief form, I fought, and found in the good answer the true story of Warpaint.

This is the story I have to tell.

Wanted for Hire: One Evil Traitor, sense of humor and own dagger a must.

The revision of TALYSMANA is, has been, and will continue to be a bitch on wheels.

The problem I ran into 95% of the way through the first draft was the realization that my ending could not happen with the existing beginning. Like several other novels I’ve written, I stopped writing when I figured that out, so the first draft had no ending.

I left out something critical, only I couldn’t figure out what.

I was hoping it was something simple to fix, like a plot point.

It was, in fact, a whole entire character. This I discovered via a spiffy nightmare that tipped me in the direction of “This is what your story needs.”

Which means I’m going to have to create another character from the very start of the book (or perhaps turn one of the existing characters into the traitor).

I also realized (same spiffy nightmare) that I got half of my villain wrong. The part set in TalysMana is good. The part set in the What Is, however, is utterly wrong. Police would have been on him in three seconds. So that, too, is going to take heavy rewriting.

And oh, hell, not via nightmare but though the real-life pain of reading the manuscript, I’ve discovered the Kettan I’ve read through so far is whiny and weak, and both missed the opportunities in her past, and failed to utilize her present. There are sections where she’s okay, but overall, I loathe her.  The revised Ketten will be someone I can stand to be in the same room with.

Will Grey is good, though. I like him. Emerald is good. And Fred is awesome…but he’s based on my daughter’s basset hound, who is also awesome. Fred will come through this revision unscathed.

This is not going to be any quick, easy revision, though. This is going to be a Book Is Wrecked revision. My notebook is filling up already.

My office workboard, now with what is probably going to be a two-year checklist in place.

If you’ve taken any of my courses (or read some of my more detail-oriented posts, you’ll recognize me as big on goal-setting, getting a plan in place, and making sure it’s where you can see it.

So the day before yesterday, I erased all the short-term stuff off my office workboard, and put up my BIG goal, which is to retire from teaching inside of two years so I can write JUST my fiction again.

And I put up the steps on how I’ll accomplish this, in order, and with checkboxes.

I love checkboxes.

They’re physical proof of progress. Sitting there blank, they’re a reminder of a step to be taken. Checked, they’re a square on the game board you’ve now covered.

I don’t know how you organize goals, but on the MACRO level, this is how I do mine. On the micro level, I have a notebook I carry with me all the time, in which I keep lists of the small steps that help me accomplish the big steps. I’m pretty close to finishing the first of the four Self-Pub lessons. I’ll check that off on the little list, then make a check on the board when all four are finished.

How do you get from where you are to where YOU want to be?

Oh. By the way, CD II and CD III on the right are shorthand for Cadence Drake 2: Warpaint, and Cadence Drake 3: The List of Three (working title). So my list does include the completion of two novels along with all the rest of the work on the board.

Think of this as the "I'm Quitting Teaching" FAQ

I was overwhelmed by the number of responses to my 51st birthday post and the announcement I made about quitting teaching. In those responses, I ran across ten questions that needed a response everyone could read, and I realized there was one question no one had asked, but that desperately needed an answer.

So I’ve answered these BIG questions below.

THE ANSWER TO THE MOST IMPORTANT QUESTION NO ONE ASKED:

What can I do as a student or graduate of one of your big courses (HTTS, HTRYN, HTWAS) do to make sure I don’t get left behind during the upcoming transitions?

Log into your account for EACH course in which you’re a student, go into your Profile on your student page, and do the following:

• Make sure your e-mail address is correct and that it’s an address you check regularly,
• Make sure it is exactly the same e-mail address in each course you’re taking (so you don’t get locked out of the forum)
• Scroll all the way to the bottom of your profile, and make SURE you have checked the box beside Receive Critical Updates.

If you are not getting critical updates, you stand a HUGE chance of missing the announcements that will move you from the existing course platform to the new one, and if you miss the move, you’ll lose your downloads and access to the forum.  I’ll give plenty of warning, but there are a huge number of students who are NOT subscribed to critical updates, who don’t visit the forum regularly, and who, having graduated, don’t visit their student pages often.

So if you’re a grad or an existing student, do this now, before you forget.

(These links are for existing students only.  They are not registration pages for new students.)

• How To Think Sideways login page
• How To Revise Your Novel login page
• How to Write A Series login page

If you don’t remember your login information, please create a support ticket at http://novelwritingschool.com/support and ask me to help you.

QUESTION ONE:

I’m a graduate or a current student in one or more of the following courses:

• How to Think Sideways
• How To Revise Your Novel
• How to Write a Series (stand-alone version)

Will my lessons and extras continue to be available when you lock the course to new students, or do I need to download everything now?

All your materials will remain available, AND you’ll continue to be a full, permanent member of the Boot Camp Writers’ Community on all your course boards.

QUESTION TWO:

I’ve purchased one or more courses from Shop.HollyLisle.com.  Will those continue to be available for re-download after you close the shop permanently?

No.  If you have all your copies intact, burn them to a backup disk now.  If your hard drive has eaten courses you’ve purchased and you need to get backups before I close the shop, log into your account at http://Shop.HollyLisle.com (the login is in the top left corner) and re-download whatever you’re missing.  Burn your copies to a backup disk.

When I close the shop, ALL my smaller courses will be available on Kindle, Nook and iTunes, or as print books on Amazon.com and elsewhere.  However, if you lose your existing copies, you will have to re-buy them, because my old database will not have any connection with the big platforms, and I won’t be able to issue free copies.

If you have lost your account login information, create a support ticket at: http://novelwritingschool.com/support and ask me to help you get back into your HollyShop account.

QUESTION THREE:

J.A. Konrath is just now opening his writing shop.  Why are you closing yours?

Because everything that involves the exchange of money on my site ALSO involves doing customer service.  I do my own because I want it done the way I want it done, I’m a perfectionist and a big pain in the ass in making sure my people (customers AND employees) are treated right, and it was my horrified experience that when I hired someone to cover some of my customer service for me, people knew they weren’t dealing with me, and regularly treated my helper like shit.

When people treat ME like shit, I politely help them get their problem solved, then request that they don’t buy anything else from me.  My helper couldn’t do that.  I refuse to subject anyone else to the sort of abuse my helper took on my behalf, however.

I ALSO refuse to use a third-party customer service option, though, because my own experiences as a customer with those options have been awful.  So I handle all problems myself.  And even though I rarely receive abusive treatment from a customer, when I do, it screws up my day.

And doing customer service, even when working with the kind and understanding folks I usually deal with, is exhausting, time-consuming, and it draws focus from my ability to create.

So I’m moving EVERYTHING that involves the exchange of money to sites that will not only collect the money for the courses I create and then send it to me, but that will do customer service on what they sell.

It’s worth it to me to have my students get my courses from platforms that are dedicated to making everything work right on every sale, every time—and I’m willing to pay the 30-ish% fee to sell on those sites to have that happen.

If J.A. Konrath is doing his own customer service, I wish him luck—it’s going to bite his writing time.  If he’s hired a friend or fan to do it for him, I wish his helper luck—many customers will not treat his helper with the kindness or respect they’d use in dealing with him personally.  If he’s farming customer service out to some third-party customer service solution, I wish his customers luck.  I have found NO happy solution to customer service, but third-party is the worst solution.

QUESTION FOUR:

(The four-week version of) How to Write a Series is the bonus gift for How To Revise Your Novel.  Will Revise Your Novel students be able to get the upgrades to the full, stand-alone version of How to Write A Series?  Or is there a discount for HTRYN students to move to the full version?

The four-week version is a solid course in its own right, and a good freebie for How To Revise Your Novel.  But ONLY students of the full stand-alone version will receive the updates and the extended version.

There’s a discount for both HTRYN and HTTS students and grads.  I’m not sure if I have it posted in the HTRYN course yet (I thought I did), but if I don’t, I’ll make sure to make the discount for upgrading to the stand-alone version available in the next couple of weeks.

QUESTION FIVE:

I’ve been saving money for one of your big courses, but I haven’t saved up enough yet.

If I can’t join the course before you close the doors, is that course just gone forever?

NO! ALL of my courses will continue to be available somewhere and in some form.

(When I said I’m not abandoning my students, I include FUTURE students in that statement.)

A LOT of folks missed this.

How To Think Sideways, How To Revise Your Novel, and How To Write A Series are going to be available for Kindle, Nook, iPad (if I can work out some problematic linking issues) and where possible, as print versions.

Let me go into a bit more detail on this:

• If you don’t have a Kindle, you can get the free Kindle app for your computer and get your lessons that way.
• If you don’t have a computer, you can get the Kindle app for your iPhone or Android phone, and get the lessons THAT way.
• If you just hate Amazon, you can get the NOOK app, and get your lessons THAT way.
• And at least for How to Think Sideways and How to Revise Your Novel, you’ll be able to buy lessons in print, though because of paper and printing, these will be more expensive than the e-versions.  (And because the courses run about 250,000 words, and 150,000 words respectively, not including handouts, you’re committing to some serious shelf space.)
• How to Write A Series, because of its format, may only be available as individual lesson DVDs.

Each lesson will be available separately, (meaning that students can buy them as you can afford them and take them at your own pace) and will include both:

• A link for free worksheet and handout downloads, and…
• A sign-up link for the Boot Camp Writers’ Community for either a small monthly fee, or a one-time permanent membership.

QUESTION SIX:

Will you be finishing any of the other courses you’ve discussed or surveyed for or said you’d like to create?

No. I’ve had hundreds of course ideas.  They’re scattered across my hard drive like a giant guilty conscience, and I’ll be deleting the ideas as I trip over them.

I want my fiction.  I want clarity, and breathing room, and to pursue the stories that are scattered in bits and pieces across my hard drive like a garden full of flowers waiting to bloom.

I’ll refine my existing courses and transfer them to the big platforms.  I’ll finish Create A World Clinic because only about seven zillion people have asked me to, and it really is SUCH a cool series of techniques.

And that’s it.

Me.  Novels.  Short story collections.  A couple of truly weird fiction ideas agents and editors kept shooting down that I’ll now do.  That’s my future.

QUESTION SEVEN:

Has Cadence [Drake] ever done anything like this [complete priority shift]?

I laughed when I read this…but then realization slammed me across the nose.

In what is currently Chapter Four of the first draft of Cadence Drake 2: Warpaint, written a few days BEFORE I made this decision, Cady does exactly this.

Exactly.

And now I’m giving my Muse, my subconscious mind, a fishy eye and muttering, “Okay, so when did you know I was going to make this change, you sneaky bastid?”

QUESTION EIGHT:

When is How to Write a Series available?  And is it really that much different from How to Think Sideways?

Okay.  Let me just do the existing course rundown here.

All three courses, How to Think Sideways, How to Revise Your Novel, and How to Write a Series, are stand-alone courses.

Each covers its own subject matter, its own techniques, and its own objectives.

How to Think Sideways is my course on how to have the ideas, use them, and create the stories from them that will allow you to write novels (or screenplays, or short stories, or whatever form of fiction floats your boat) for the rest of your life.

How to Revise Your Novel is my course on how to get the book you want from whatever wreck your first draft turned into in ONE revision, and make it the book you dreamed it would be, so you can move on to writing your next book.

And How to Write A Series is how to create the characters and the stories that will allow you to write exactly the series you envision, in exactly the number of books you desire, and have each book be stronger and more compelling than the one before it—and how to end it how you want it and still thrill your readers.

There’s some unavoidable crossover in a couple of very basic writing techniques, but the main course subject matter does not overlap.

My rule on courses has always been that no one will ever by a course from me, buy another course, and find that he or she has just paid for the same damn information, written in different words.  I’ve bought those recycled crap courses from other people, they pissed me off, and I swore I would never treat people that way.

That goes for my little courses as well as my big ones.  If you want the details on how to create a character, for example, the ONLY place you’ll find those details is in Create A Character Clinic.

And finally, ALL my courses except for the upcoming Create A World Clinic are already available.

• Short courses
• How to Think Sideways
• How To Revise Your Novel
• How to Write A Series

QUESTION NINE:

Will all the writing stuff on your website still be available?

Of course!  Do you know how many years I’ve been adding to that stuff?  There are articles in the writing section that were actually print articles I did for the little writers’ group newsletter I used to send out back when I was still in Schrodinger’s Petshop, before anyone but scientists had even heard of the internet.  1989-1990…somewhere around there.

I’ll still add the occasional writing article to the site as I feel like it.  I know me, and sooner or later I’ll have something new to say about writing, and I won’t be able to keep it to myself.

The writing newsletter now has 52 articles in it.  One full year of once-a-week tips.  It will remain a free resource on the site, and again, if I get froggy, I may add to it.  Even if I don’t add new tips, if you stay on it, I’ll make sure to send you links to any new articles I write.

QUESTION TEN:

You’re not still using Word, are you?!?!

Oh, God, no!  Not for years.  I use Scrivener and Pages, and I have Open Office on my computers but have to confess OO is really only there so when I’m talking to the Windows crowd, I can offer something that I know works.

I just checked, and discovered that I don’t actually have any Microsoft stuff on my computers anymore.  Lot of Adobe, lot of indie stuff.

Not sure when the last of Microsoft went away, but I think it’s kind of telling that I didn’t notice is was gone until today.

WHAT DID I MISS?

These were the ten big questions I found, plus the one nobody asked.  But over the next few days, I’ll check in here as I can and answer as much of what I missed as I can.

And thank you, thank you, thank you.

I had tears in my eyes reading your responses to my 51st birthday post.  I have always maintained that it has been my privilege to hang out with the best people on the internet, and that was proven again with your replies to my post.

But now, ONWARD!

We’re going to have some fun, and we’re going to create wonderful things.  Today, tomorrow, for the rest of our lives.

Follow Your Passion

Inertia’s a bitch.

It can mean doing nothing until something kicks you out of your complacency and starts you rolling.

But inertia can also summon up Newton’s First Law, part of which is: “An object in motion remains in motion with the same speed and in the same direction unless acted upon by an unbalanced force.”

You get rolling in a particular direction, and it make sense, so you keep on rolling in that direction, doing the same things, dealing with variants of the same problems, until your direction, your actions, and your life all start to feel inevitable.

Inertia tells you: This is what you’re doing, therefore this is what you ought to be doing. It’s working, therefore why question it?

Until now, since I started teaching writing online back in 2006, I have NEVER taken a vacation that did not include checking both e-mail and customer service at least a few times. So I never had a full stop to derail my inertia. Even if I rolled slower, I still kept moving in the same direction.

My inertia included back-to-back-to-back 70-hour seven-day-a-week work weeks, creating new writing courses, supporting older writing courses, writing newsletters about writing, building a (very cool) writing community, and a LOT more.

Recently, with the self-publishing explosion, I added getting rights back on all my out of print work, and adding in MORE work while I get those ready to reprint.

There was answering a lot of writing e-mail.

There was lots and lots and lots of customer service.

People love my writing courses and get some simply amazing results from them. So putting what I know about writing into in-depth, comprehensive courses felt like the way things ought to be. What I ought to be doing.

However…

If you want to shake off your inertia, to actually see your life as it is, and to be able to question what you want it to be, there’s nothing like jamming a right-angle turn into your forward motion to shake you loose from everything you accepted as having a permanent place in your life. And the past two weeks have been, for me, that right-angle jump-the-tracks come-to-a-screeching-halt turn.

There was the vacation, first of all. I turned the computer off, and left it off, for two straight weeks. I did not look at e-mail, I did not touch customer service, I did not pay affiliates, I did not work on courses.

I. Was. Gone.

There was my time with the Air Force kid. My older son had a grim time in Afghanistan, which is not to say his tours of the Middle East’s other “vacation spots” have been picnics. But Afghanistan was a real nightmare, and even now that he’s home, there are parts of this last deployment he isn’t going to shake off. Not in a few weeks, a few months, a few years. Not ever. A line of ghosts follow me from my ten years in nursing. He has his line of ghosts, too, and though they’ll become less insistent over time, they won’t go away.

As much as we could, we worked around the ghosts. I loved being able to sit and talk with him again, to discuss the screenplays he wrote while he was in the desert, to talk about going indie from the film-maker’s perspective. I loved just being able to see him, and to know that he was okay, he was safe, he was home.

And I loved having nothing but time to spend with Matt and my younger son, too.

There was Steve Jobs’ death, and I’d be lying through my teeth if I suggested that was anything but a massive wake-up call. He created what he loved, not asking what people wanted but envisioning what he wanted, pushing past “that’s not possible” to make what he wanted possible, and then bringing his visions to those of us who have appreciated the hell out of them.

Figure: Having Windows eat my work, crash regularly, update constantly, welcome viruses like long-lost friends, and require constant fucking tinkering with the system, in the form of .ini files and other tweaks, just to get programs I needed to function so I could get writing, printing, and internet work done, was a part of my life, my expectation, my inertia. I backed up constantly when I remembered, and when I got into the flow of my fiction, I lost whole chapters because that’s just the way Windows is.

Until my husband bought me an early OS X Snowball Mac. I got it for Christmas in 2002. In the almost ten years since then, I have ONCE lost words. About three hundred of them, if I remember correctly. MY screw-up. The Mac asked me if I would like to save the file when Word crashed, and I, being VERY new to the system at the time, said “no.”

I haven’t lost a single word since. And since then, I’ve upgraded through iMacs and iBooks and Pros, and currently have an older Pro, the 11″ minimal-configuration Air, and the currently largest possible iMac desktop. Every Mac I ever owned still works. I just needed bigger and faster for the courses, the movies I was creating. And because, let’s face facts: I’m a total tech ho and while I don’t spend money on shoes or clothes or much of anything else, I’m white on rice when it comes to upgrading to a new computer.

So I owe Steve Jobs’ driven passion to create the best possible products—and to hell with the naysayers—for making my life measurably better.

And the wake-up call from his death, combined with the other elements above, allowed me to question my own passion.

Which takes me to Week Two of my vacation, in which, relaxed, happy, and caught up on my sleep, I wrote three and a half chapters of the new Cadence Drake novel, Warpaint.

And became reacquainted with my real passion. Which isn’t teaching. I’m good at teaching, I like it, and I love students’ success stories.

But I love to write fiction.

And when I compared four hours a day five days a week while everyone else was asleep, stretched out on the couch with the Air propped on my lap, embracing my passion by telling a story I want to tell while knowing it’s going to get published the way I want it to be published…

…Versus seventy-hour seven-days-a-week workweeks stretching as far into the future as I could see, struggling to translate how I do what I do into techniques and procedures and processes other people can use to embrace THEIR passion…

…Well…

…You probably have some idea where I’m heading with this.

But I guarantee you don’t have the whole thing, so stick with me a few more minutes.

Yes. I’m going to quit teaching.

No. I’m not abandoning my students.  ALL students who are members of the big courses, including students who join the day I lock each course’s doors to new members, will have permanent access to all your purchased course materials, including, if applicable, the Walkthrough, new self-pub modules, or any other course upgrades, depending on the course in question.

No, I’m not abandoning any of my current courses.

And no, I’m not abandoning the three big promises I’ve made.

Promises first.

I’m finishing the How To Think Sideways Walkthrough. Furthermore, the online version will be the FULL version of the course, minus a few handouts I cannot include, and the Walkthrough. It will include the lessons for Self-Publishing, but it will also include the Commercial Publishing track. So it will be 29 lessons, not 25.

I’m expanding the How To Write A Series Course with what I learn while writing the Cadence Drake series.

And I’m finishing Create A World Clinic.

I’m looking at, best guess, about two more years of working insane hours while I meet these three promises, and at the same time write several Cadence Drake novels, move ALL my courses to Kindle/ Nook/ iTunes/ CreateSpace.

The rest of what I have to do:

Before I can dedicate myself to my passion, writing fiction, I also have to make sure existing big-course students can use the online version of the courses permanently.

And Margaret and I have to put together a way for the students who take my classes via the big publishing platforms (again, Amazon, Barnes & Noble, iTunes, and CreateSpace) have a way to join the Boot Camps writing community.

The Boot Camp Community, with its Self-Pub Resource Providers, its lesson-by-lesson discussions on How To Think Sideways, How To Revise Your Novel, and as soon as we can get the database updated, How To Write A Series, its camaraderie and friendships, will remain and continue to grow.

The Boot Camp Community currently offers free lifetime membership to students of HTTS, HTRYN, and HTWAS for their respective courses (and of course, students of all three courses have lifetime access to the entire community).

For students who take the e-book or print versions of the course, Boot Camp membership will be optional, and will require a small monthly fee or a one-time lifetime membership payment for whichever course the student is taking.

And I’ll become a Boot Camp member writer, rather than an overworked occasional visitor.

But as I get things transferred, everything else is going off my sites. I’ll be closing my little writing shop, and closing the online versions of HTTS, HTRYN, and HTWAS, as well as the Free Plot Outline course.

I’m working on transferring How To Think Sideways first, and the Walkthrough will not be included in the e-book and print versions. I may at some later date figure out a way to do the Walkthrough lessons as DVDs, but right now, my plan is to simply keep them available for Legacy HTTS students.

If you want the How To Think Sideways course with free lifetime community membership and the Walkthrough included, you’ll need to join before I post all the lessons on Amazon and Barnes & Noble (because of technical issues, I’m not sure that I’ll be able to offer the course on iTunes).

I have that pencilled in on my calendar for February, 2012. On the day the course goes live on the big platforms, the doors for the online version close permanently to new members.

How To Revise Your Novel will then follow suit as quickly as I can make it happen.

How To Write A Series will be open to new students considerably longer, because I still have to write the books that I’ll use to expand the course.

And following that, I’ll write the rest of Create A World Clinic, which will ONLY be available through the big platforms. I’ll never sell it from my own shop, which I hope to close before or around the same time I close How To Write A Series.

It comes down to time.

I’m fifty-one.

I don’t know how much I have left, but whatever time I have left, I want to invest in my passion, my true love, the thing that has made me willing to pop out of bed at six in the morning for the past twenty-seven years, just to be a part of it.

I’m going back to writing fiction exclusively.

All the existing courses will still be there for you, in one fashion or another. The community will get even better.

But no matter how long I live, I cannot live long enough to tell all the stories I still want to tell. I would, however, like to write as many of them as I can.

And I aim to give it my best shot.

Chapter one of that novel, “Can’t Kill A Dead Guy,” is now finished in first draft.

It was like coming home. Cady’s voice was there. Not the bitter, dark voice at the end of book one, but the voice I hear when I write her—the voice I heard when I wrote her the first time, right up to the moment everything went bad for her.

She has her feet under her, she’s alone but dealing with everything much better than I thought she would be when I outlined the story, and the biggest fear I had reopening her world—that all I’d get writing Cady was Cady-in-hell—is gone.

It was like sitting down and talking to the best friend I lost fifteen years ago, that I just got back, and finding out she’s still a person I want to spend time with.

Nine books is a lot of time. Today told me it’s going to be time well-spent.

I have to do the other stuff I have to do now—student support and starting on the HTTS walkthrough and everything else.

But today I came home.

Cady 2 is ready to write

I outline my novels on index cards. I go over the process a little in one of my site workshops, and a LOT in How to Think Sideways, but my process is about as seat-of-the-pants as it’s possible to get while still having an idea where you want to end up.

And as of this morning, I have the working outline for Cady 2: The Book In Need Of A Title, ready to go.

I’m releasing Hunting the Corrigan’s Blood as Cadence Drake 1: Hunting the Corrigan’s Blood, and book two was going to be Cadence Drake 2: Invisible Warrior, but as I outlined the book, that title died the ugly death of irrelevance.

The title at the top of the index card in the picture, by the way, is the card title.  I let my muse scribble on the cards first, writing out titles for scenes I have not yet imagined.  Then I write a scene Sentence.  And that’s it.  Once I have all my scene titles and most of my scene Sentences, I’m ready to write.

Now I’m there.  So next week, I start writing CD2.

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