Better than yesterday
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No words on the page, but six new scenes figured out. Which means I’ve about finished my coronary bypass around the the clogged artery of those bad center scenes where I took the story over the top.

Process is simple. Write one notecard for each scene that will replace a broken scene.

DO NOT REVISE THE BROKEN SCENE. Simply apply the patch of a one-sentence index card saying “This is what SHOULD be here,” in its place.

When all scenes have a bright pink SEP field* around them, you simply move on to write the next unwritten scene, as if all the preceding wrecked scenes had been written the way they needed to be, and were currently perfect.

Someone is thinking, “Why? Why? Why would you do this instead of fixing the scene and then moving on? Why?”

Simple reason. I only revise once, but I do one ferocious job of it when I do it. I think I know how my story will end now. But I might not. Things change. And I refuse to rework scenes that are going to have to be changed again when I discover than my ending has changed drastically. Creating index cards allows me to know I know what to do with those scenes when I get back to them. And if the ending changes, it allows me to rethink a thirty-word card, and not a 3000 word scene. Times ten.

That’s why.

Have about three scenes to go. Will get those tomorrow.

How did your writing go?

* Douglas Adams reference: “Somebody Else’s Problem”

The Howling Redo of Despair and Agony
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It was an interesting night.

First off and totally unexpectedly, I got 287 words of actual draft. So HAH! Happy about that.

Second, I got out one of these neato little pre-ring-bound index card thingees I’ve had sitting in my office for the last few months after I found it at Office Depot—because I am a total office supplies ho, so I bought it even though I didn’t have a use for it at the time.

The thingee has about a hundred index cards in it, spiffy little plastic covers front and back, and dividers to separate it into three sections.

Dug out a Uni-Ball Vision Needle pen. (Look. This shit matters. When all that stands between your sanity and the Infinite Abyss of Screwed-Up Noveldom are office supplies, you want to have some nifty ones on hand. These are +7 Nifty, with a serious Anti-Abyss buff.)

Wrote my title on the front page: The Howling Redo of Despair and Agony: A.K.A. DTD, Section 2 — Fall.

Seriously. Those are the exact words on the cover card. Never let the Infinite Abyss think you take it seriously.

Drew my pen, aimed it at the notebook, and as quickly as I could keep the pen moving, ten very good scene sentences poured themselves onto the paper. Cardstock. Whatever.

So it was, in fact, a damn fine writing night. I’ll shoot for another ten scene sentences tomorrow night, and that will cover (PLUS three) my existing problem scenes. And, with my fingers in contact with the real—pen and paper, NOT pixels—my mind offered up a solution that will allow me to use a whole lot more of the words I’ve already written than I thought possible last night.

Sometimes, tapping the damn keys is no substitute for the physical act of writing. If this computer had a return bar I could slam from here to Newark every time I needed a carriage return, it might be different. That’s physical writing, too.

But anyway…

How are YOUR words coming along?

Nailing my thumb to the wall
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So here’s the process I’m going through in order to skip revising the second section of the novel before I’ve finished the rest of first draft.

  • Write a single sentence encompassing what I want each existing scene to become.
     
  • Try to match that sentence to the characters and action already existing in the story.
     
  • When I can’t, then come up with a new sentence that fits the spiffy new first part of the book without breaking more of the existing writing than is ABSOLUTELY necessary.
     
  • Avoid touching a single word in the existing draft, no matter how tempting, even as I hear the tinkling of broken scenes shattering to the floor with every spiffy new scene I devise.
     
  • Maintain my equanimity while seeing whole buckety craploads of words headed for their doom.
     
  • Mutter imprecations and profanities at the idiot who wrote some of the stuff I’m dealing with.
     
  • Realize that repeatedly nailing my thumb to the wall is not the wacky good time it’s reputed to be, and determine that I’m going to have to get out a notebook and PHYSICAL index cards, and work this out in realspace before I’m actually ready to face the new scenes I need to write.

Hope your writing went better.

The Whisper of a Devil
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My red head dropped her bomb tonight, allowing me to sliver a bit of backstory and foreshadowing into a nice dialogue scene.

And exactly 600 words later, she was out the door and on her way out of the country.

I’ve run out of new scenes. I’m back now to the original beginning, and I’m going to end up spending the next couple of days doing a quickie index card replot of each of the scenes I’ve written. I don’t want to mess with the words or any editing yet—that’s a sure way to get bogged down and screw up my progress.

So my wordcount for tomorrow and Tuesday is likely to be zero in the ‘real words’ department. If I can rethink what comes so that I don’t end up tossing 25,000 words into the can, though, it’ll be worth it.

Word count tonight: 600

Plus three words that I love enough to claim as the book’s real title. Not going to post it, though. I need to see if the story keeps growing into it.

How’s your story coming along?

Red-heads are ALWAYS trouble
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My spontaneously-generating red-head from a few chapters back walked into my scene tonight, suddenly making perfect sense in the story, and dropped a bombshell.

Actually, she took a deep breath, I glance over at my word counter, and discovered that I’d hit 499 words.

So she’ll drop her bombshell tomorrow night. But in spite of being dog-tired and not EVEN in the mood to write tonight, I got the words, and once I got rolling, they were a hell of a lot of fun.

How ’bout you?

The Disappeared Friend
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Short night tonight. 279 words while I explored my surprise discovery last night—than one of my male MC’s dear friends had vanished.

Because of who he discovered in town, and because of the horrible cases he’s recently been working, he fears the worst.

I kept it short because I promised I’d get some links posted for folks who’ve never done video, and need to know where to get inexpensive or free software, public domain or royalty-free images, and other goodies.

The contest, you know.

And since I want to spend the workday tomorrow finishing up Lesson 1, that means getting at least SOME more work done tonight.

So anyway…

How is your writing coming along?

The Man Who Was Sam
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Started into my second round of “who is this character beneath what we see” tonight, with Sam Jones, my detective.

The man who was Sam shed his underpaid-cop life and went back to his real home tonight, to an old friend and bad news—as bad as the news that had him packing his identity in mothballs when last I wrote him.

It went well. Got 512 words. Would have stopped at 500, but I really needed to finish the thought I was working on.

And I’m set up well for tomorrow’s segment.

How did it go for you?

Aleksa lives
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I ripped out a few hundred words tonight, and ended up with (don’t laugh) 666 new words to replace them.

I now know exactly why she lied. She had a damn good reason. I know know why she did the things she did. She had a damn good reason. And I now know how she gets through each day.

She is someone I would want to know in real life. In these last few pages, she has come alive for me with a painful sharpness that I want from all my main characters, and don’t always accomplish to my own satisfaction.

She’ll carry the story. I know that now, without doubt. She could do it on her own, but she won’t have to. Her future partner in what comes is my target tomorrow night. I need the same clarity for him. I’m at the scene where who he truly is begins to reveal itself. So I need the same sort of writing night tomorrow as I had tonight.

So … I need to tell myself what I need from him. Then I need to sleep on it.

How did your words go?

Lies and Heroes
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I had to ask myself, “What happens when my hero hides a terrible truth? And how could she tell a lie about this, and still remain heroic? Why would she lie? What is she hiding?”

Tonight I started in on adding to the section I finished last week. She’s getting deeper on me…my objective is to continue to keep her someone people can relate to. And she has to remain heroic—I loathe antihero protagonists, and have no wish to turn her into one. (Antiheros are not lovable rogues, incidentally. They’re protagonists who commit villainy, while their authors make excuses for them. Stephen R. Donaldson’s despicable Thomas Covenant was a true antihero.)

So…I got 440 words, and could have kept going, but I hit a decent break point and quit for the night.

I know where I’ll pick up tomorrow, and why. I’ve found the core of her darkness, and how it’s shaped her into the woman she is. And I’m growing to understand how she will come to make the choices she does later in the book. I’m pleased with what I got tonight.

You?