Quick Note for Think Sideways Students and Grads
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The Writing Craft: Dialogue Episode 1 — Dialogue and Subtext is now completed and available for download.

  • Onsite student theater (1 hr) will remain available
  • Four downloadable segments of the same episode, each around 25 MB
  • Transcript
  • Worksheet

There’s also a long post with a survey here:
What Do You Want from The Writing Craft?

I’ll be putting up a public survey for everyone else pretty soon. This is what it’s about.

I’ve decided that I’ll keep all eight episodes available to everyone (who’s in Think Sideways as a student or a graduate) until I finish up the series. Folks who join later might have to rush a bit, but you’ll have the complete Dialogue course available at no charge until I’ve finished it.

And by the way, I don’t think I actually ever outlined the contents of the course. These will all be roughly hour-long video episodes with transcripts, downloadable and online-viewable lecture, and such handouts as you’ll need to actually do the work.

The Writing Craft: Dialogue (8 Episodes)

  • Episode 1: Dialogue and Subtext
  • Episode 2: Dialogue and Characterization
  • Episode 3: Dialogue and Theme
  • Episode 4: Dialogue and Plot
  • Episode 5: Dialogue and Realism
  • Episode 6: Dialogue and Humor
  • Episode 7: Dialogue and Action
  • Episode 8: Dialogue and Emotion

Do you see anything that I’m missing?

I’ll also be doing the following modules for The Writing Craft. These will NOT be offered as Think Sideways freebies, but students and grads will get an impressive discount.

The The Writing Craft: Description (8 Episodes)

  • Description and Action
  • Description and Pacing
  • Description and Plot
  • Description and Movement
  • Description and Suspense
  • Description and Theme
  • Description: Time, Place, and Person
  • Description and Characterization

The Writing Craft: Pacing (7 Episodes)

  • Pacing: What and Why
  • Pacing and Action
  • Pacing and Plot
  • Pacing and Characterization
  • Pacing with Theme and Structure
  • Pacing and Genre
  • Pacing Your Reader’s Emotions

The Writing Craft: Relationships (10 Episodes)

  • Heroes and Villains
  • Families
  • Women in Heroic Roles
  • The Romantic Challenge
  • Sidekicks and Comedy
  • Mentors and Guides
  • Guilds and Associations
  • Friends and Enemies
  • Work and Play
  • The Dark Side: Obsession and Worse

The Writing Craft: Nit-Picky Details (8 Episodes)[/b]

  • First Lines and First Pages
  • Clarity and Intent in Storytelling
  • Prose and Artistry: The Words Themselves
  • Presentation
  • Professionalism
  • Doing the Work
  • Grammar and Other Sins
  • Writing As A Career

Since I’m only doing one of these a month at most, and am not putting myself back on the treadmill to absolutely get one done every month (I’m enjoying writing the novel too much to create another Think Sideways that will eat my life and my fiction writing for eight months or a year— :D ), we’re looking at several years for these courses to come together.

So. Anything you don’t see here that you want? Anything you do see here that doesn’t interest you?

Review of “Light Through Fog”
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I wrote the short story “Light Through Fog” for the collection The Mammoth Book of Paranormal Romance because I needed a live project to demonstrate my techniques in the How To Think Sideways course, and I had to have the pressure of writing something that was commissioned, had a hard (and very close) deadline, and that the editor could reject.

Story went well, the editor accepted it and liked it so much she requested another for her next collection (this one I’m doing because the first one was fun in spite of the pressure)… and my daughter found a review of “Light Through Fog”, and sent me the link, which I’m passing on to you.

http://www.scifiguy.ca/2009/03/reviewette-light-through-fog-by-holly.html

Did a freebie online writing workshop today. You can take the workshop.
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The workshop is Creating Characters With Character. My host is Cindy Rushton, and we did this live on the air, so it has the usual rough edges you get with a live workshop…but also the energy you get from someone pacing around the room talking and gesturing (that would be me—cannot sit still while I’m doing a workshop).

I liked the system enough that I’ve created an account for myself. We’re in the midst of chaos (of a good kind) here, so I won’t be able to use it right away. But I’d like to be able to do some live Q&As with writers on your writing questions, and maybe just some discussions on different aspects of writing.

Let me know what you think.

My Birthday Bash: Presents for You
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Yeah, my birthday is almost here, and I decided this year to celebrate by giving presents to other people. And not just on my actual birthday, either. I’m giving away presents every day next week, plus a couple of presents starting today.

So what are your presents?

Total value of my birthday presents?

Absolute lowest value—$1720.33
Absolute highest value—$1987.43

But it’s more than that, really.

  • Because today five people will win. ($79.95 minimum, $159.75 max in presents)
     
  • Friday four people will win. ($103.60 minimum, $167.80 max in presents)
     
  • Saturday three people will win. ($107.55 minimum, $179.85 max in presents)
     
  • Sunday, two people will win. ($91.60 minimum, $123.60 max in presents)
     
  • Monday, two people will win. ($211.40 minimum, $243.50 max in presents)
     
  • Tuesday, two people will win. ($303.28 in presents)
     

    AND…
     

  • Wednesday two people will win. ($564 minimum, $600 max in presents)
     

So the minimum total in presents I’m giving away for my birthday is…

$2518.87

And the maximum total in presents I’m giving away for my birthday is…

$2993.22

But that’s not all. EVERYONE who enters will receive one gift on Monday, October 13th.

The total value of my birthday bash giveaway including those gifts should be well over $5000. Could be a lot more. I’ll let you know once the confetti settles. :D

RULES

Who can enter?

Anyone but my immediate family.

And…

You could win twice, if you enter early. Here’s how:

Anyone who wins an e-book gift cannot win any further e-book presents, but will be re-entered for one of the full scholarships.

What if you win and you’re already a student in the Think Sideways course? Then I’ll refund the tuition you’ve paid to this point, and you are in free for the rest of the course.

Will I refund you for e-books you win but already own? No. Therein lies a madness of paperwork I will not even consider. HOWEVER… I’ll be very happy to send any prizes you win (INCLUDING a full scholarship if you want to be that generous) to someone you choose. If you win and this is an issue for you, contact me.

So…

How do you enter?

Follow me on Twitter. Here’s my page: http://twitter.com/hollylisle

It’s free, it’s easy, and I’m already discovering that Twitter is a lot of fun.

If you’re already following me, you’re already entered. If you’re already a Twitter member, go to my page and click Follow and you’re entered. If you’re not already a member, it’s free and it only takes a minute to join. Then return to my page click Follow. The Follow button is right under my picture on the top left corner.

I’ll print off the complete list of my Twitter followers every day, and do a random drawing from those pages, PLUS the pages from every day’s pages before. Yes, this means that if you start following me today, you’ll get one new entry in the drawing every single day. Yes, this will improve your chances of winning, at least a little. I have no way of figuring odds. I have no idea how many people will enter. Today, right this minute, you’re odds would be about 5:32. I expect they’ll get a bit steeper over the next few days.

I’ll announce the winners at around noon my time every day. On Twitter. :D (Except today, when I’ll announce at around two, because I am SO behind schedule.)

And I’ll do a final listing of everyone who won here after it’s all over. Probably on Tuesday the 14th. Finally, EVERYONE who’s following me on Twitter will get a link to one gift on that day.

So. Does that count as a cool way to celebrate a birthday?

Light Through Fog
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I worked all weekend, and have been working nights for a while, in addition to working on the course. See, around the same time that I was getting ready to take How To Think Sideways live, I got this request for a short story from an editor who was putting together an anthology. That’s basically the only way I do short stories, and the timing on this one was terrible, because I knew I’d be working on the course.

But. I loved the subject matter, I got an idea for the story very quickly, and even though the money and rights were not great, well, I loved my idea. So I decided I’d use the writing of the story, from pre-idea through final edits, as part of the course. Which I’ve been doing.

And over the weekend, I finished the story, titled Light Through Fog, did my revision, and at 6:30ish this morning sent it off to my editor. Have already heard from her that she’s received it. It was due today. :D I work very hard not to miss deadlines, but I do sometimes hit them right on the very, very edge.

Anyway, the story is done, and I’m very happy with the way it turned out.

And writing fiction again was wonderful, and made me hungry to do more.

I’m working on Lesson 12 now, which means this week marks the halfway point on the official course. I’m seriously considering doing a couple of student-requested lessons at the end as a nice bonus, but I’m going to work hard not to extend beyond that.

The next Moon & Sun book is calling me, and so is “C.”

Dumped on by Fay
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We’ve been dealing with Fay all day. Internet on and off, power on and off. Mostly on, and the big issue is rain, of which we’re getting a lot. But we’ve got the tornado watch too until this evening.

Lots of fun.

Writing-wise, I’m STILL writing lesson seven, (and saving frequently) which is all about how to plan a novel without getting sucked into the whole worldbuilding, storybuilding time sink. It’s an enormous lesson, and I’ve logged nightmare hours this week working on it. I’m trying in vain to remember what regular sleep is like.

BUT…. I love what I’m getting.

The lesson itself is done. And I only have two more modules on developing just the critical parts of the story in planning (of the eight) to go.

When I laid this course out, I thought each week would have just one technique. Hell, I thought I’d be working forty-hour weeks at most. Hah. I think so far, I may have had one week with just one technique, and my average work-week has been 60 hours.

I keep telling myself the prep work is the most massive part of this, and that when we get into acutally writing, my schedule will get more sane.

At this point, I’m not sure I believe me.

Breakthrough!
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I had the most amazing breakthrough today. Still writing the Think Sideways course, and was sitting in the little snack area in our local Target brainstorming the whole world-building/pre-planning process for novels (Lesson 7). My two guys were off looking for video games, and I had my carry-along notebook out and was drawing flow-charts, trying to figure out how to make the whole process of what you need, and what you don’t need, and why, and WHEN, clear.

Scribbled the word “Why?” on the left page, opposite the flow chart. “Why” is the best question on the planet, and my “why” here was simple. “Why worldbuild?”

The answer isn’t obvious, but it is beautiful, and elegant, and when I had it staring me in the face, I experienced my own Eureka moment. Not just for how to explain it to students, but for myself, as well.

That was a question I’d never asked myself, because I always thought I knew the answer. And now that I know the answer, what to build, and when, and how, becomes simple.

I love writing. These moments are part of why. You never know everything, and the more and deeper you explore, and the more mysteries that you unfold, the more you realize how much is left to find. It’s wonderful.

Not Dead. Definitely Swamped
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I hadn’t planned on the week following registration for How To Think Sideways being a week of troubleshooting all the many things that broke on the system software; thought we’d tested everything, but you only think that until a course goes live and real students start taking it.

Anyway, this week I’m playing catch-up writing lessons. Didn’t get a newsletter out yesterday, didn’t get a handful of other things up and running, either. And am 600+ emails behind again. That’s probably going to get worse before it gets better.

The lessons are wonderful to write, though, so my work process for the next few months is all stuff I love. And thanks to copious notes, I’m making steady progress.

C has started nagging at me though—I have to write that book. Soon. It’s gotten so good inside my head I have to tell it.

Bombarded by Writing
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C Breathes

So I was sitting in the cafe in Books-A-Million waiting for my guys to finish doing Manly Things at Best Buy. I’d forgotten to bring knitting. I’d forgotten to bring my Think Sideways planning notebook. I’d forgotten to bring my “C” planning notebook.

So I picked up a cheap-o notebook, and a pen that didn’t squidge all over the paper (discovered that my carry-along pen had started leaking), and sat staring at the blank page.

I didn’t stare for long.

“There is no perfect day for a funeral,” my character said in my ear, and I wrote that down. “There is no moment where the box can slide into the earth bearing the battered remains of the man who saved your life and made you whole and restored your faith in humankind and the world, and you can say, “This is good. This is right.”

So began “C.” I sat there scribbling as fast as I could put words on the page, and before the guys finished doing the Manly Things, I had the first chapter in rough first draft.

The first two lines don’t win me over. They aren’t right yet. None of it is a good as it can be, but it’s alive. It’s breathing, and I know what happens next.

But Smudge was born…

I woke up in the middle of the night a week or so ago with the vague idea that I wanted to write some sort of supernatural series with a hero who had a unique problem. No idea what sort of supernatural, no idea what sort of problem, just this nebulous concept that this was something I wanted to write.

Over the next few days, little ideas popped into my head, and I’d mull them over, then let them go. Nothing stuck. I liked some of the bits and pieces, but there was no connection between them. They all felt random. I let them float, not writing anything down, trusting that they would turn into something when they were good and ready. I was in no hurry. I have Think Sideways next on the table, and then the proposal for Moon & Sun III, and then C. I have no shortage of exciting, cool work.

So yesterday, riding into town with the guys, staring at the road, just being happy that I got SILVER DOOR done and in on time, all those unrelated pieces from the previous days collided into one huge, winning, ready gestalt and exploded into my awareness—character, problem, purpose, series arc, main character arc, stories, villain, and underlying theme about life and death and life after death. It was like slamming my head into a cabinet corner. One instant, everything was creamy; the next, I was overwhelmed by full-body sensory overload. (Only without the pain, which was a very good thing.)

I rode along, full of doubt, testing for holes, asking questions, and every time finding the answers already there, waiting, and beautiful. The guy who woke up with the structure of DNA in his head could not have been any more amazed than I was by the structure of this whole story/ character/ concept/ world. Smudge is a working title, the character’s nickname, and probably disposable three or ten times before I come to something I actually like.

But this one has to cook. I clustered all the elements yesterday in the OTHER Moleskine notebook I bought that day, and then set it aside. Because….

Think Sideways is keeping me awake nights

I’ve been writing and rewriting lessons and essays in my head and figuring out how to put the building blocks together in the most logical and usable structure, and visualizing the demos—how to SHOW the subconscious and how to SHOW turning bad ideas into good ideas and how to SHOW you how to train yourself to do the stuff I did to get Smudge, and that I’m doing with “C,” and that I did with the best stuff I’ve written.

Having finished this post, I’m starting lesson one of Think Sideways now.

(Actually, I wrote this about 9 AM today, and got a bunch done on Think Sideways already. Our internet has been out all day. Freakin’ internet.)

Think Sideways–Additional Answers
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Wow. A lot of questions about that last post.

Let me answer them here:

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Course Feedback
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Some clarification on my “the course will NOT be one-on-one” statement because some is obviously needed. I did not say I wouldn’t be giving feedback. I said I wouldn’t be able to answer individual questions, or to do crits on projects.

I will be answering questions, which is why the first class is going to be very small, and why subsequent classes will also likely be at least fairly small.

In the last lesson of each month, you’ll receive one PDF that is specifically Q&A from the lessons for that month. You’ll mail them to a special e-mail address, I’ll collect and read them all, and answer them in one FAQ sheet that everyone will be able to use. And THAT is why the first class is going to be very small, and why I have to be careful not to take too many people at one time even later. I’ll always be answering questions. Just not one-on-one.

Consider the time this will take if I have even 100 people going through the course and half of them have even one unique question that requires a thoughtful answer per month.

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Lesson Format
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At the moment, this is the lesson format I’ve hammered out. It isn’t carved in stone, but it’s considerably closer to what I’ll go with than my previous three attempts.

The entire course will include:

  • (6) 10-to-20-minute videos (one per month) introducing concepts, building on previous techniques, and giving an overview of how the current month’s lessons will fit into the process;
  • (24) PDF lessons
  • (18) Technique demonstrations
  • (6) Project synthesis tutorials
  • (6) Project development checklists, one per month
  • (6) Q&A pdfs

Each month, the lessons will run as follows:

WEEK ONE

  • Monthly video
    Note: I’ll have one large file for people with fast connections, and a group of small files for people with slow connections, so one way or another, everyone should be able to download these. Worst case, I’ll create some sort of private area where class members with really cruddy connections can view them on their browsers.
  • PDF lesson
  • Technique demo
     

WEEK TWO

  • PDF lesson
  • Technique demo
     

WEEK THREE

  • PDF lesson
  • Technique demo
     

WEEK FOUR

  • PDF lesson
  • Project synthesis tutorial
  • Project checklist
  • Q&A
     

The entire course will be downloadable, and while you’ll receive one lesson each week, you don’t have to start on them or do them until you’re ready.

My own personal example on this: I’m currently enrolled in a year-long course I don’t have time to work on right now. However, it’s a great course (and was hard to get into), so I’m staying enrolled and downloading every lesson as it becomes available. I’ll get started on it when THE SILVER DOOR is done.

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Lesson Length
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I’m planning for each lesson to be about 10 content pages long. Unfortunately, I know me, and I know that—aside from novels, where I’m pretty good at hitting planned word lengths—I tend to run over. So for lesson length, figure ten pages, but don’t be surprised if they have a bit more to them than that.

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Virtual Classroom
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I’m still debating a “class space” bulletin board where people could work on lessons together if they chose. HOWEVER… moderation takes time if I do it, and it costs extra money if someone else does it, and I’m not sure if it would add enough to the value of the course to be worthwhile. Interacting with other class members will NOT be a required or necessary part of the course.

At the moment, I’m leaning strongly toward NOT including a virtual classroom. Your comments, however, are welcome.

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Criteria For Getting In
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“What will be your criteria for getting into the course?”

A fast trigger finger.

At least for the very first class. Registration will open one hour early for priority list members. I strongly suspect, because of its size, that the first class will fill up before general registration opens–if that happens, a sign will go up on the main page saying that the class sold out, and that people who didn’t make it into the first class can sign up for the waiting list and join if someone else cancels. People who are on the Priority list are already on the waiting list (it’s the same list). Individual seats that open up won’t be announced anywhere else.

IF I FIND THAT I CAN COMFORTABLY HANDLE MORE THAN THE SMALL ORIGINAL CLASS SIZE, within a month or two I will set up a second class to allow additional folks in. This is an if, not a promise. I’m very determined not to bite of more than I can chew here, because I’m making a six-month commitment of my time and effort to the people who are taking the course, and if I can’t keep up with the workload, everybody loses.

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Will There Be A Book?
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No. This is it. I want to be able to change and update and add things, to keep the Q&A pdfs current, to expand if something cool occurs to me, to add new media if I discover something that will allow me to make points clearer, to help you hit those Ah-HAH! moments faster—and books are lovely, and I love them. But they are static, and not right for this course.

And something that wasn’t asked, but that I’ll answer.

Will those of you who are in the first class be able to receive the updated materials?

Yes.

Will you have to pay extra?

No.

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PRICE
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Now price, because I know that’s a big deal, and a big concern. And the fact is, I don’t KNOW what to charge. I know I’m planning on splitting the cost across the six months the course will take in order to keep it within the reach of just about everyone.

I know putting the course together is going to be time-and-energy intensive for me, I know this is some of the best stuff I have and it’s all original, based on my life experiences and what I’ve done, and how I’ve learned to use good and bad situations and find opportunities and fix problems in order to stay afloat and published in a very competitive, tough business. Like the little courses I offer through the shop, this isn’t based on anyone’s theory. It’s simply what has worked and what continues to work for me, put into a format you can make work for you.

What is that worth, broken down into six monthly installments? I don’t know, but I’d love to hear your opinions.

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Graduating
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Finally, I’m thinking about designing a T-shirt or a mug or something for class graduates—a sort of class ring for the Sideways Thinkers of the world. You could buy it through Cafe Press or something like it. Is that a dumb idea?