Have to do the proofs, but the reality of getting these live is getting closer.
Category Archives: Backlist
Look what UPS just brought
Production Covers and NEW Afterwords: Arhel Trilogy, and Sympathy for the Devil
First, I’ve decided to write a new afterword for every one of my books I reprint. One of the things I did last week.
I had a lot of fun writing them, and got to talk about the experience of writing them, and then working with them again years later.
I also got the entire Arhel Trilogy finished in CreateSpace (awaiting proofs), along with the third version of Sympathy for the Devil.
ALL the covers underwent some major morphing—I discovered that borders don’t work for CreateSpace, and as a result, was forced to completely rethink my whole Arhel Trilogy design, to the serious benefit of the books.
Take a look at the new covers. The Arhel covers are complete overhauls. They have some of the same elements, but a much livelier feel.
The Sympathy for the Devil cover has a blue sky, courtesy of the “no borders” issue, and again, I think benefits from it.
All images are clickable so you can see the larger version.
FINAL covers for the ARHEL series
The Arhel Trilogy Covers
Today, I did the covers for the Arhel Trilogy.
Fire in the Mist
Bones of the Past
Mind of the Magic
I wanted something striking but simple for these books—and I wanted the central images to be meaningful. So I went with Ariss, the keyu, and a dragon. The toughest part of these was coming up with an appropriate title design and name layout without getting too friggin’ frou-frou with the font. And I still wanted that touch of gold to tie these together subliminally with the suspense stuff.
I’ll probably have something in that gold on every cover…though it might be very slight.
The New Paranormal Suspense Covers
I finished the following covers for my upcoming novels today:
Midnight Rain
I See You
Last Girl Dancing
Night Echoes
Because of a bit of a financial bump, I’m pushing hard to get all the backlist up in the next couple of months. To my amazement (because I thought exactly the opposite), I think the suspense novels are going to take the longest. I’m having to go through them and edit to bring the late-draft manuscript versions I have up to the published versions.
The scans don’t have to be rewritten. They just have to be edited, and my guys (and in two cases, my co-authors) are working on that.
So my release schedule is going to change completely, and will probably start with either the Arhel trilogy or the Devil’s Point trilogy.
But there will be books soon.
Discussing “Fun…With Teeth”

Fun...With Teeth
Back when I first got published, I signed a lot of my books with a little extra exuberance—I drew a toothy smiley face and wrote in under it the words “Fun…With Teeth.”
Which was how I saw my fiction—I always wanted my readers to laugh, but I wanted some real edge in there, too.
Because, let’s face it. Sometimes I want to scare your socks of.
As the wear and tear of publishing (and some pretty hard times in my life) began to get to me, I lost some of that exuberance. All of my books have funny places in them, but with some of them, you have to wade through a whole lot of darkness to find it.
But when I decided to walk away from the meat grinder that is professional publishing, to deal directly with my readers, and to publish my own work, something strange happened. It was as if someone switched on a light inside me.
I was digging through my early works, the ones for which rights have reverted to me, and I discovered how funny some of those early books were.
I’d forgotten. From cats with hands who liked to play with matches to winged horses with bad brakes to a Miata-driving, beer-swilling dragon to infesting the entire state of North Carolina with the denizens from Hell (to the serious detriment of Hell), I had a lot more fun back then.
I want to find my way back to that.
I’d like to have you share a part of my return to laughter. In my case, laughter with really big, sharp, pointy teeth.
In the next couple of months, as I start getting my reverted novels converted into digital and print versions and moved onto platforms like Kindle and iBooks and Nook, I’m going to put together a little private membership site especially for the folks who like my fiction. You’ll have a bulletin board there where you can talk to each other, and tell me what characters you’ve missed and who you want to read about next, as well as a place where I’ll post some snippets of work in progress, cover images, and news about each book as I release it.
I don’t know what else I’ll put in there. But it’ll be free, and I’ll make sure to include some nice surprises from time to time.
Here’s the place to ask questions, offer your wish list, comment on my radical career change…
I’m glad you’re here.
Review of Secret Texts
Here’s a brand-new, thoughtful review of the Secret Texts trilogy.
Say It With Me: Deadlines Are Our FRIENDS
So, boy, oh, boy. Just agreed to my deadline schedule for the new book.
I’m struggling with Hawkspar. Must get that book finished. Promptly, yes? It was officially due last December, and Anna has been lovely about the delays, but I’m not . I want to have the book done, and done well, so that we can get it edited and into production.
Over the weekend, I finished the copyedit of Work-for-Hire I. Must get that mailed. Promptly, yes? It’s due Sept 1.
New deadline to add to the mix. Bad Moon Rising, December 1st. I’ll be doing numbers in a bit, but, well. Yes. It’s almost September now.
My main character isn’t the only one confronting alligators.
Pausing to Think
Novel outline is going well, but I needed a break, so I surfed. Douglas Hoffman gave a nice review of Last Girl Dancing; Jcop wants to know where the fourth book in the WORLD GATES series is (Hint: When I’m howlingly successful, the publisher will probably want the last four planned books. Meantime, I did the best I could to give the series closure); Danjel Bout offers a clear look at his location, a place as alien as the surface of Mars; Stuart McBride rants well on an example of breathtaking responsibility avoidance; Zette Gifford (who’s now just shy of 8000 writers in the FM Writers’ Community), offers some insight into working with writers; Carter offers an essay on Us vs. Not-Us (my take on the same issue is Common Ground: Holding Communities Together, plus the entire novel Talyn. This is a subject that compels and fascinates me.
First time I’ve had a chances to look at other folks’ weblogs in a couple of weeks, and it was shorter than I would have wished. Deadlines compel, and one of the migraines that have been hovering and diving for the last couple of weeks is hovering now.
Pricey for a Unique Fixer-Upper
German-edition Vengeance of Dragons for sale on E-bay — link via my friend Keely.














