Update, and moving on
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I want to thank everyone who e-mailed me or posted here offering condolences on the closing of Rebel Tales. And I’d like to reassure folks who were concerned that my closing Rebel Tales meant Kirsten Anderson/Kate Ferreri/whateverthehell-her-name-really-is had somehow “won” that they need not worry. She hasn’t won anything.

At the point where I discovered I had created something that could be badly misused, by discovering someone who had already misused it, I had two choices. I could pretend it could never happen again, or I could face the truth that if it had happened once, it WOULD happen again.

Yes, closing Rebel Tales is a huge loss for me in many ways, both financially and in terms of losing something I loved. It is a heartbreaking blow for the editors I actually did choose and for the writers they chose— though as I write this, there is a possibility some good may still come from this for them, anyway.

But if I decided to preserve my investment rather than my integrity, I wouldn’t be worth much as a human being.

I made the human choice. The moral choice. Not the dollars-and-cents choice. I closed Rebel Tales because it was the right thing to do.

I spent yesterday in a sick-to-my-stomach blue funk. I shed my tears. I’m done with that.

Now I’m moving on.

I still have fallout to deal with in terms of working to prevent Kirsten Anderson/ Kate Ferreri from profiting from her actions.

But I have a couple of promised courses to deliver, and a book to write, and deadlines to meet. I hope to be able to put the stand-alone version of How To Write Your Series on sale tomorrow.

My final word on this?

Life kicks you. So what? If it doesn’t kill you, you stand up and get back to living.

Bonus pages up in How To Revise Your Novel
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The course isn’t up. The course isn’t done.

But if you want to take an early peek (and if you’re a Revise Your Novel student and have already reached Lesson 23/Bonus 1 in the course) you can also see the test movie I have up. :D

Just log in, click on the Bonus 1 page, and scroll to the link on the bottom.

It uses a tiny segment of the actual course, but a pretty cool one.

Monday I’ll open the doors for new students on NovelWritingSchool.com. Monday, I’ll also post real lesson as they’re completed in the How To Revise Your Novel classroom.

TRANSCRIPTS WILL NOT BE READY!

As with my other big courses, the first students through will be able to download transcripts, worksheets, mindmaps, videos, and so on as I complete them, but because I’m creating the course as you’re taking it, everything arrives piecemeal.

Courses, classes, and novel for 2011
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So…I’ve been MIA for a bit more than two months.

I’m back now, and ready to get down to the cool stuff, but before I get to that, here’s where I’ve been, and why:

After losing just about six months last year to constant migraines, vertigo, and there for a while the dread that I was going to drop dead any minute, I took time off from all my work except for answering customer service e-mails. I was off from December 17th to January 10th. Which is why there were no writing diary posts, no regular e-mails, and nothing else from me.

During that time, I didn’t have a single migraine, I only had one regular headache, and I had no vertigo. And I thought, cool. Rest fixed it. I’m all better.

Within two days of getting back to work, I was having migraines again. Every day. My second week back to work, the vertigo came back. Granted, I was doing taxes, dealing with a massive software glitch on one of my sites and world’s worst customer service, and updating websites, and it was frustrating, exhausting, and—except for spiffing up the sites, which was fun—it sucked.

But it had to be done, so I gritted my teeth and did it.

It demonstrated something I’d started to suspect when my vacation cured the migraines and vertigo, though. I can’t prove causation, but I have a strong enough correlation to think the migraines and the vertigo are both work-and-stress induced.

But a girl’s gotta eat. And if you wanna eat—at least in the world of the self-employed—you gotta work.

Enough background. Move to what’s cool.

I put together my schedule for the year, and did everything I could to make it sane, livable, cool, and fun for myself, while allowing me to fulfill promises I made last year before my life went south on me. My main objective in this is to create wonderful things while not living in daily pain—but I hope what I have planned will be fun for you, too.

So here’s my 2011.

January.

Educational, but already gone, eaten alive by income tax prep and upgrading websites. Taxes are done, websites not so much. Such is life.

February.

Starting today, actually. I’m doing the new stand-alone course How To Write A Series (which will also be the free graduation bonus for How To Revise Your Novel students who complete the course).

  • Week 1: Fundamentals
    • The 192 different types of series (yes, really—there are 192, and you’ll learn to identify every single one
    • How to make sense of them
    • How to choose the series type that’s right for you
    • Designing your series (It’s going to be a busy week)
    • Lesson will post on Feb. 7th, Live chat will be on Feb. 9th.

  • Week 2: Writing Your First Book
    • Presenting your characters
    • Establishing your world
    • Using your limitations
    • Controlling your story
    • Bringing in your ending

    Lesson will post on Feb. 14th, Live chat will be on Feb. 16th.

  • Week 3: Maintaining Your Series
    • Tracking and connecting your stories
    • Developing and using timelines and other series tools
    • Planning and writing follow-up novels
    • Designing a bullet-proof exit strategy
    • Lesson will post on Feb. 21st, Live chat will be on Feb. 23rd.

  • Live discussion: Q & A
    • If you’ve taken the course as I’m creating it, you can buy one of a limited number of tickets to attend the live session after Lesson 4 with me where I’ll answer questions on your series and brainstorm with you, or…
    • You can send your questions to me beforehand at a special e-mail address, and I’ll answer the best of them during the same live session.
    • Either way, every student will have access to the video and transcript of the Week 4 Q & A, which I’ll post to your student page as quickly as possible after the live session.
    • Lesson will post on Feb. 28th, Q & A will be on March. 2nd.


IMPORTANT: The How To Write A Series course has ONLY one live Q&A at the very end of the course.

The HTTS Walkthough has weekly live chats. I wrote this post sometime after 1 a.m. this morning, I had been working since eight in the morning, and I got the details of the two courses mixed up. I apologize for the error.


The stand-alone price for the four-week course will be $97, and will include mindmap, lessons, videos of techniques I use while prepping to write Book III of the Moon & Sun series (with transcripts), step-by-step instructions, my own proven system for keeping a series tight and not letting quality degrade with subsequent books, series worksheets, the course completion Q & A, and more.

If you receive the course as your graduation gift for completing How To Revise Your Novel, it is, of course, free.

March

Starting March 7th, I’ll begin creating content for the first month of the long-awaited, long-delayed How To Think Sideways Walkthrough. There’s been a lot of speculation about the Walkthrough. So here’s what it it, and how it will work.

I have to get the third book of the Moon & Sun series done this year. The kids who want to read it have waited too long already. So for the walkthrough, I’m going week by week through my own Think Sideways process, building Book III while I document what I’m doing and why. Documentation will take the form of notes, screen shots, new Technique videos (with transcripts), and pdf mini-lessons where I think they’ll add value and give you something new and useful. (I learn something with every book I write. I don’t know what I’ll learn this time, but when I learn it, so will you.)

Each week I’ll also offer a VERY space-limited, first-come, first-serve video session where I’ll take questions from students about problems they’re having with that week’s lesson in relation to their current project, and I’ll use a whiteboard to brainstorm directions they can take with problems that are stalling their stories. There will be an additional charge for the live session. ALL students will receive these videos (plus MP3s and PDF transcripts) as part of their course, as quickly as I can upload each. (TRANSCRIPTS TAKE LONGER. I have to pay someone to do them, and the person I hire has to do each one by hand.)

Either way, you’ll learn how to troubleshoot problems with your story by seeing it done live, and hearing the back-and-forth discussion between the students in the live session and me.

Current students, students who join How To Think Sideways before March 1st, and course grads will all receive the walkthrough at no extra charge. The price of How To Think Sideways will go up on March 11th, when I upload the first new material, to reflect the added content. All students who join the course on March 11th or later will pay the new price.

April – September

The HTTS walkthrough, writing Moon & Sun Book 3, revising Book III, and sending it off to my agent.

October

Start the loooong-delayed Holly Lisle’s Create A World Clinic.

November

Finish Create A World Clinic and make it available through Novel-Writing School, and via Kindle, iBook, and Nook.

December

Off. I’m going to need it.

January 2012

Tax prep. Oh goodie.

…After that…

I’ll surprise you. I have some things already on the calendar. But it’s not full, so I’ll surprise me, too.

But THAT’S NOT ALL…

Because Rebel Tales now has full editors who have their full season guidelines posted, we’re now open for story submissions in a BIG way. Writers, I’ve made resources easier to find, and have made the query desk one clink from any page on the main site.

WE WANT STORIES!

Join us in our quest to create a great new serialzine while bringing back the midlist, and to create writers who are making a living from their writing while writing great stories.

Ask questions here, let me know what you think.

I’m not dead. I’m doing taxes.
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Pretty much the same thing, right?

I have news, I have course announcements, and I have other things—but those all have to wait until the tax stuff is done.

I’ll try to post all the good stuff here on February 1st.

Until then, I’m singing

Eleven months out of the year
It’s fun to be self-employed
And when I am done with my taxes
I’m going to be overjoyed.

Give back,
Give back,
Give back my money to me-e-e,
Give back,
Give back,
Oh, give back my money to me.

Sung to the tune “My Bonnie Lies Over The Ocean…”

Feh. I’ll see you February 1st. Before then, if I (hah!) get done early. But this is like shovelling out the Agean stables, so don’t hold your breath.

Feel free to add extra verses to my song. Misery shared may not be halved, but at least we can get a laugh out of it.

NovelWritingSchool.com coming in November
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I have the temporary front page up here: http://novelwritingschool.com/

I have beta testers going through a free plot-outline course (a major upgrade on the current version done via e-mail on THIS site). We’re finding bugs and getting them out of the way now. Once we get the bugs out, this will go live for EVERYONE, well before November. Probably next week. I’ll post here with a link when it does.

I’ll have some of the simpler existing courses ready for you in November, and will gradually build out until all of my courses and existing freebies are transferred to the new school—and then I’ll start adding new courses.

The reason? Site maintenance on a bunch of different platforms and at a bunch of different domains has become too much for me to handle. So Holly Lisle’s Novel-Writing School will free me up to concentrate on course building, NOT web work.

“I Have A [Writing] Dream”
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Fiction is my passion. Stories that matter and that have something to say were my earliest independent love, they have been the focus of my creativity for a quarter century now, and I have made them my career.

Now, a few months from fifty, I want to tell you about the vision I have for the future of writing and great storytelling, and ask you where and how you might choose to join it.

My vision compresses down to three words:

Create, Teach, Produce.

One: Create

I want to bring meaningful stories to discriminating readers, viewers, and listeners.

This means I’ll continue to write my own fiction. Working on novels 34 and 35—with 32 published novels behind me—I’m pretty well established in that part of my vision.

Two: Teach

Beyond writing my own work, I want to help more good stories make it into the world. To me, this means offering powerful tools to writers to help them write stories that are the best work they have in them—not just filler for bookshelves, but stories that come from their heart and passion, and that, when written, move, inspire, and enrich the lives of the readers who discover them.

To this end, I’ve created all the free writing resources on the Forward Motion pages of my site, all the short writing courses in my online shop, and my first two comprehensive writers’ training courses, my how to write your novel and build your career course, How To Think Sideways, and my novel revision course, How To Revise Your Novel.

Those are a start. I have a stack of notebooks full of other ideas, and am simply working to make the time to create what’s in those notebooks. (Create A World Clinic is next.)

Three: Produce

Even beyond that, though, I want to create a publishing enterprise where editors come up with their genres and themes and are directly rewarded for their success, where writers create stories that matter to them and are directly rewarded for connecting with the readers who long for the stories they’re telling, and where people whose creative passion is storytelling can make a good living doing what they love.

Rebel Tales is the start of this part of what I want to create. Rebel Tales is still in a holding pattern while Margaret finishes and tests the backend that will allow me to pay each writer and each editor monthly their percentage of their work’s monthly gross income.

Because I think direct, perpetual monthly royalties on works created are the best way to encourage great work, and because building a way for people to be able to make their passion into their career matters deeply to me, it’s critical that I be able to pay my writers and editors in this fashion from the start.

Four: Help Out

While not immediately connected to the production of great storytelling and the creation of an expanding body of fiction worth reading, making sure that my readers, writers, and editors don’t starve is a big deal for me.

I’ve done some work to this end. I created affiliate programs to pay 50% of individual sales to anyone whose recommendation of my courses (or my writers’ courses) leads to the sale.

I created the 33 Worst Mistakes Writers Make publishing program for people who had deep knowledge in a subject to create writers’ guides on subjects writers frequently get wrong and sell them through my shop.

I want to create a site that will allow these folks and other specialists to teach regular courses and offer information in their areas of expertise to writers who need a one-stop shop for research.

Sitting in a holding pattern, I have Money To Write (how to create monthly “royalty” income that will allow you to write full-time). I have an enormous amount of material for this program, but no time to get it into the software or do the necessary promotion.

I have discovered to my chagrin that I cannot do everything.

And the reality is that I’ll be fifty in October, and no matter how much time I have left, it’s running out at a hell of a pace.

I need help.

I have never longed to change the world. In fact, I’m utterly and ferociously against anyone whose stated goal is to save the world.

My objective is and always has been to work with those people who dare to dream that they could create, who dare to act to pursue their dream, and who want to make their own lives better—for them I create the tools and the training and the community that will allow them to do this.

To fulfill my own dream, to build my chosen vision into reality,
I need people for whom bringing great, unique stories to readers tired of “canned fiction product” matters. And if you aren’t a writer, a reader, or an editor of any stripe, I still need artwork, web design, data entry, product finishing, contract and rights assistance, and other things I guarantee you I haven’t even thought of yet.

If my objective strikes a chord with you, if my vision resonates with you, and if you can see yourself as a part of this, then look at what I want to do, and tell me where you fit in—what you can do, why you want to do it, where your passion lies. What is YOUR dream, and how could working with me help you achieve it?

It’s been an awful week
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So here I am on Friday night, haven’t managed a weblog entry, haven’t managed to write fiction all week.

I’ve been absolutely buried in Lesson 14 for HTRYN. Could not figure out how to show people what they need to do related to revising Simple Time in their novel. I had the whole lesson outlined, thought I knew how I was going to present it—and then my presentation didn’t work, and I re-outlined, did clusters, did bullet points, wrote things, deleted things.

My whole week I spent on JUST that lesson. In the end, I had a breakthrough, and HOW I needed to present the issues of Simple Time became clear, easy, obvious. Like falling off a log.

But it cost me the whole week, so here I am on Friday night, when I’m supposed to be done for the week and taking a break, and instead, the migraine that has plagued me much of the week is with me again, and I’m pushing through on the demo for Lesson 13.

The lesson wasn’t the only wreck in the week—but it magnified the several other wrecks.

I have not abandoned the writing diary, the newsletter, the TalysMana novel and weblog, or any of the other things I’m working on. This week, though, every just fell apart.

I’m sincerely hoping to sleep for two straight days once I get this demo done. But right at the moment, it’s looking like a long night.

And I had so many other things I wanted to talk about this week.

Making More Sense of the Story
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I focused on character development in TalysMana tonight, since I was actually giving Will Grey his first real time onstage.

Kettan ended up with a few good moments, too. I’m still not to the big bang for the scene, when Will finds out what Kettan’s been up to.

But he’s going to be smart getting there…and that part of the scene, which I’ll hit tomorrow night, will be a lot of fun.

It’s important to keep asking yourself, “Why would he do that?” about any character while you’re writing him. Your characters with make a lot more sense to the reader and your story if you keep that one question in mind every time you get ready to have a character do something. Saved Kettan from a moment of deep stupitude by asking that just before she was ready to answer a question Will asked her.

For tonight, I got 517 words I like. I’ll take that.

Am a couple thousand words now into Lesson 13 of How To Revise Your Novel. Am dealing with all the issues of revising and tracking conflict that come up as you’re in the process of hacking your first draft to pieces.

This is one of those area’s that can be tricky to work through, and require a lot of effort to get right.

I want to make sure I cover all the possible problems AND the solutions.

It’s an interesting writing night.

How are your words coming?

Lightcross, Shadowcross
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Got 364 words on TalysMana tonight. I’m back in Kettan’s point of view, and she’s with Bill (the detective from the Broward County Sheriff’s Department), and in a couple of minutes she’s going to have to figure out a way to politely shoo him out of her apartment, because…well, that’s tomorrow night.

Tonight, though, she was simply wrapping up her sketch of her Kendles under his admiring gaze.

And I find myself wondering…what if she didn’t shoo Bill out of her place? What if he was there when the next big thing happened?

That might be cool. Something to think about for tomorrow.

Finished up Lesson 12 of How To Revise Your Novel . By the time I got to the end of it, I was cringing for my students. I had forgotten how huge the character revision process is. It’s amazing how much of the whole process disappears once you’ve internalized it to the point that it’s second nature. Writing out the steps, I once again remembered what life was like before I internalized the steps.

Ouch.

It was a good writing day.

How about you?